Caitlin Franzmann, Courtney Coombs, Focus, 2012, Fresh Cut exhibition image courtesy the artists and IMA |
Parts 2 and 3 of our Women + Performance column feature an interview with Melbourne director Anne-Louise Sarks and thoughts on the nature of female humour prompted by a performance night at the Backflip exhibition at the VCA.
While right-wing commentators regard Paul Clarke’s Whitlam, The Power & the Passion as left-wing, Dan Edwards in his On the Dox column takes exception to a conservative documentary with a severely limited viewpoint, poorly chosen commentators and a pop cliché style.
Ian Haig sees Paul McCarthy’s vast “psycho-sexual retelling” of Walt Disney’s Snow White at New York’s Park Avenue Armory, while Vincent Leveridge welcomes a “return of broader political art about Indigenous Australia” in Ghost Citizens: Witnessing the Intervention.
RealTime issue #116 Aug-Sept 2013 pg. 3
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