Jodi Smith is a writer, photographer and filmmaker whose video Redux? Part 1 was in the recent showing of Helen Lempriere Travelling Art Scholarship 2003 finalists at Sydney’s Artspace. After working in Australia, New Zealand and the US as a camera assistant on such films as The Matrix, Smith has been accepted to study for an MA in Fine Art at The Slade School of Fine Art in London where she hopes to make a feature length film. Redux? Part 1 plays engagingly with our knowledge of Francis Ford Coppola’s Apocalypse Now and the constellation of masculine values that gravitate relentlessly around it. Smith remakes the first 6 minutes of the film, blending the original with carefully constructed scenes that mimic it closely but with a different protagonist—a woman. The effect is much more surprising and enduring than you’d first imagine. Smith writes, “Over the last year I have been dealing with the history of war and specifically how gender roles both define and are defined by war. A key issue within my filmmaking practice is the issue of female subjectivity—particularly the lack of it within the cinema and how this is a reflection of first world society.”
RealTime issue #57 Oct-Nov 2003 pg. 31
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