Future Perfect, Jo Lloyd photo Ponch Hawkes |
Imagining the future tends to lead writers and choreographers to similar conclusions, each with their particular aesthetic and philosophy. This includes uniformly attired humans signalling submission to an overarching ideal or identity. Here it is expressed with glittery Torvill and Dean-cum-gothic punk outfits.
Uniformity is an exterior marker of a oneness of mind: a community so in tune it is on the verge of becoming a single organism. Even when the dancers move separately they are like the parts of a clock, working together to achieve an obscure function.
Future Perfect, Jo Lloyd photo Ponch Hawkes |
Entertainment is high on the agenda; the lighting and set design by Jennifer Hector brings drama in the form of a sci-fi cinema experience to the audience. Screens at either side of the stage reveal 3D animations of the dancers’ faces distorted into pixel galaxies, Rhian Hinkley’s imagery suggesting a kind of breaking down of the individual by technology. While maybe a pertinent point in the concept of future’s ‘uniformity’ or undividedness, it jarred a little with the images of ecstatic unity on stage. Overall though, the production is glamorous and exuberant, crackling with an electric charge, if occasionally suggesting an errant question.
Future Perfect, Jo Lloyd photo Ponch Hawkes |
Ecstasy means to “stand outside the ordinary self.” Future Perfect is both an otherwordly and out of body, out of self, experience where the dancers finally and repeatedly collapse in on themselves, giving in to the magnetic force of the mass.
Dance Massive: Arts House & Jo Lloyd: Future Perfect, choreographer, director Jo Lloyd, performers Luke George, Madeleine Krenek, Shian Law, Jo Lloyd, Lily Paskas, lighting, set designer Jennifer Hector, music Duane Morrison, costumes Doyle Barrow, projection designer Rhian Hinkley, Arts House, Meat Market, Melbourne, March 20-24; http://dancemassive.com.au/
RealTime issue #114 April-May 2013 pg. 29
© Varia Karipoff; for permission to reproduce apply to [email protected]