editorial
In the loop 13 Nov: opportunities
In the loop 13 Nov: quick picks
In the loop 20 Nov: opportunities
In the loop 20 Nov: quick picks
In the loop 23 Oct: Opportunities
In the loop 23 Oct: Quick picks
In the loop 30 Oct: Opportunities
In the loop 30 Oct: Quick Picks
festivals
DARWIN FESTIVAL
Expectations and cultural crossovers
Fiona Carter: Tracks Dance Company, Zombies In the Banyan Tree
DARWIN FESTIVAL
Shaken out of the everyday
Nicola Fearn: Yumi Umiumare with Theatre Gumbo, DasSHOKU SHAKE!
special features
ART, WELLNESS & DEATH
Art & care: where life and death connect
Margaret Cameron: Chamber Made Opera, Opera-Therapea
ART, WELLNESS & DEATH
Riding the theta waves
Urszula Dawkins, Theta Lab, George Poonkhin Khut and James Brown
ART, WELLNESS & DEATH
Solace in the sensorium
George Poonkhin Khut: Interactive & Participatory Art and Research
ART, WELLNESS & DEATH
The art of multi-sensory care
Keith Gallasch: Interview, Efterpi Soropos, Human Rooms
ART, WELLNESS & DEATH
Transitions: performance, mortality and ceremony
Victoria Spence: Life Rites Celebrant & Death Literacy Consultant
performance
WOMEN + PERFORMANCE 4
Ambiguities of gender
Anne Thompson: Kate Davis & Emma Valente, The Rabble
Online e-dition 30 October, 2013
The wrath of Plath
Tony Reck: Barry Dickins’ A Kind of Fabulous Hatred
Online e-dition 23 October, 2013
What the death wish most desires
Tony Reck: Peter King, John Gabriel Borkman
CANBERRA 100
Lives surviving disarray
Zsuzsanna Soboslay: Urban Theatre Projects, Catalogue of Dreams
A brave & curious turn
Mary Ann Hunter: Junction Festival, Dogs & Boats & Airplanes Children’s Choir
At play with the one-on-one
Keith Gallasch: Proximity festival preview
Bluebottle’s good genies
Keith Gallasch: Interview, Bluebottle - Andrew Livingston & Ben Cobham
Come & play
Robert Reid: Play In Australian Performance Practice
Desperately seeking Barbara
Virginia Baxter: Brown Council, This Is Barbara Cleveland
Identity’s loose grip
Keith Gallasch: Sydney theatre—STC, Back To Back, Moogahlin Performing Arts
Making it
Keith Gallasch: Interview, Peta Downes, Dramatic Arts, AIM
Making sense of place & relocation
Ilana Cohn: Campbelltown Arts Centre, Temporary Democracies
Performance Space at 30: still weird & wonderful
Keith Gallasch: interview, Bec Dean, Jeff Khan, Performance Space, You’re History
Strictly in the moment
John Bailey: Side Pony Productions; Grit Theatre
Teen girl brutalism
Teik-Kim Pok: Casula Powerhouse, Tough Beauty
The evils of neo-liberalised warfare
Interview: Irving Gregory, Version 1.0, The Vehicle Failed To Stop
dance
Online e-dition 30 October, 2013
Swept up by an emotional storm
Bernadette Ashley, Dancenorth, Abandon
CANBERRA 100
Sharing country
Zsuzsanna Soboslay: QL2’s Quantum Leap, Hit the Floor Together
Dress sense
Virginia Baxter: Martin Del Amo, Little Black Dress Suite
In the continuum of flux
Pauline Manley: Force Majeure, Byron Perry, Double Think
Other anatomies, other ecosystems
Jessica Sabatini, Nat Cursio Co, Blizzard
visual arts
A universe of everyday desires
Urszula Dawkins: Michaela Gleave, Universal Truths
Reconsidering museology
Chris Reid: Blender; Crystal Palace
sound/music
THNMF2013
Acoustic space: explicit object
Steve Paraskos: di Scipio, Curran
THNMF2013
Complexity from simple tools
John Barton: ICMC, Percussion and Live Electronics
THNMF2013
New music: celebration & angst
Matthew Lorenzon: Totally Huge New Music Festival overview
Online e-dition 6 November, 2013
Opera: individual passion, collective tragedy
Zsuzsanna Soboslay: Sandra France, Helen Nourse, From a Black Sky
Online e-dition 20 November, 2013
Sound, speed, rust and re-cycling
Jon Rose: Canberra 100, The Canberra Pursuit
Online e-dition 13 November, 2013
Intensity over pleasure
Greg Hooper: Open Frame, The Future is Noise, Francisco López
A lifetime as composition
Chris Reid: Alvin Curran, Soundstream
Empowered by and embodied in song
Keith Gallasch: Interview, Jo Truman, Singer, Composer, Producer
Operas of conscience
Keith Gallasch: Sydney Chamber Opera; Harbour City Opera
+onscreen
film & screen culture
ON THE DOX
Facing the evasion of the bitterest truth
Dan Edwards: Interview, Joshua Oppenheimer, The Act Of Killing
AUDIOVISION
Accelerated media & aural fatigue
Philip Brophy: Death Race 3: Inferno
A troubled love letter to Laos
Katerina Sakkas: Kim Mordaunt, The Rocket
Denying fashion’s dark side
Karen De Perthuis: Baz Luhrmann, The Great Gatsby
Unexpectedly & violently absurd
Dan Edwards: Jia Zhangke, A Touch Of Sin
+onscreen media arts
REGIONAL ARTS
Eastern Riverina sites & sounds
Gail Priest : Interview, Sarah Last, Wired Lab
Online e-dition 6 November, 2013
The past as the construction of a snapshot
Greg Hooper: Yeondoo Jung, MAAP Space
Syria: protest, mobile phones & death
Tara Forrest : Rabih Mroué, The Pixelated Revoultion, Vienna
The artist handles the world
Danni Zuvela: Tony Woods: Archive
User-friendly branding for risk-taking art
Keith Gallasch: Interview, Andrew Donovan, Experimental Arts, Australia Council