editorial
GIVEAWAY 5 APRIL
Ros Bandt, Tarhu Connections, double CD
GIVEAWAY 3 MAY
DVD: Jim Jarmusch, Paterson
GIVEAWAY 26 APRIL
Raw: T-shirts and double passes
THE LOOP
5 April 2017
THE LOOP
26 April 2017
THE LOOP
3 May 2017
THE LOOP
10 May 2017
festivals
Asia TOPA
Flow maps & heightened states
Andrew Fuhrmann
Post-industrial town’s art conversion
Lauren Carroll Harris: Cementa17
special features
An experimental art hub in Melbourne’s west
John Bailey: interview, Brad Spolding, Director, The Substation
Bundanon: channelling Arthur Boyd
Keith Gallasch: Trevor Flinn in-residence
Bundanon: creative refuge
Keith Gallasch: Georgie Meagher, William Zappa, Rhiannon Newton
performance
In the beginning...
Kathryn Kelly: Applespiel, Jarrod Duffy Is Not Dead
Project O: into impossible places
Osunwunmi: interview, Jamila Johnson-Small & Alexandrina Hemsley
Taking care
Keith Gallasch: Shopfront at Belvoir, Treats
Techno-shapeshifting
Laura McLean: Firstdraft and Auto Italia South East, Rogue Agents
The audience on the inside
John Bailey: Passenger; Aeon
The Simpsons will save us
Ben Brooker: STCSA & Belvoir, Anne Washburn's Mr Burns
dance
DANCE MASSIVE 2017
Experience into dance: translation and failure
Andrew Fuhrmann
Asia TOPA
The weight of abstraction
Jana Perkovic: Chunky Move, Anti—Gravity
A nurturing Dancenorth
Bernadette Ashley: Dancenorth, Tomorrow Makers
A subtle excavation
Philipa Rothfield: Jude Walton, The Drill Hall Project 2017
Jack Ferver & persona
Andrew Fuhrmann: Jack Ferver, Mon, Ma, Mes (Revisité)
Science + love = explosive dance
Kathryn Kelly: The Farm & C03, Frank Enstein
visual arts
Artist at play
Keri Glastonbury: Nola Farman, Flight
Globalisation: upside/downside
Kathryn Kelly: Kiah Reading Vs The World
Lili Almog: Lifting the veil
Keith Gallasch: Lili Almog, The Space Within
Natural digital
Keith Gallasch: teamLab, Impermanent Life
sound/music
Asia TOPA
New words for music
Matthew Lorenzon: Between 8 and 9, Chengdu Teahouse Project
A sustaining instrument
Keith Gallasch: Ros Bandt, Tarhu Connections, CD
Beautiful fragments
Jonathan W Marshall: Moscow Contemporary Music Ensemble
Resonant Bodies: voices matter
Zoe Barker
Table manners, dressage & music
Laura Halligan: Never Tilt Your Chair Back On Two Legs
+onscreen
film & screen culture
An Australian sect saga
Luke Goodsell: Rosie Jones, The Family
Eating people: serious horror
Katerina Sakkas: Julia Ducournau’s Raw
Film festivals vs the big streamers
Cameron Williams: Australian film festivals, Netflix and Amazon
Fresh plot for a cinémathèque
Tina Kaufman: proposal for a Sydney cinémathèque
Is anyone there—online or off?
Katerina Sakkas: Olivier Assayas, Personal Shopper
Small films in a big screen world
Luke Goodsell: interview, Richard Sowada, American Essentials
Travelling doco fest fights corruption
Ann Deslandes: Ambulante film festival, Mexico City
Unravelling McFamily-sized myths
Luke Goodsell: Kitty Green's Casting JonBenét
+onscreen media arts
Angelica Mesiti recodes video art
Lauren Carroll Harris: Relay League, Angelica Mesiti
Art as big public infrastructure
Lauren Carroll Harris: interview, Alessio Cavallaro, curatorial director, Wynscreen
Video art treasure house on demand
Conor Bateman: access, quality & streaming portals
Video essay: Cameraperson to person
Conor Bateman: Kirsten Johnson's Cameraperson