DasSHOKU SHAKE! photo Vikk Shayen |
“If you don’t understand our Janglish just put up your hand and we will explain it to you in more Janglish!”
Directors Yumi Umiumare and Kayo Tamura wring every bit of crazy out of the lighting, sound and cast of DasSHOKU SHAKE! punctuating the action with spoken word. Kayo Tamura takes lewd to a whole other level as a demented nurse and pink crinoline kewpie doll mummy feeding her baby ‘WacDonalds.’
“We love looking after people because we can forget about all the bad stuff. Stay sick!“
In contrast, trapped in the capitalist machine and eschewing the superficial light of the power company, Yumi Umiumare emanated torment: “Give me no enlightenment but give me the Light.” Amid manic coloured lighting and J-pop partying she fears the worst: there is no truth, no Light. She vomits.
“Are you following so far? Breath in, breath out.”
Around these people, more chaos reigns as fervent businessmen and dizzy pink ‘mouseketeers’ are juxtaposed with grim soldiers in gasmasks and protective clothing. A salaryman hands out business cards while women manically masturbate, psychotically popping balloons. The cast, including Australian performers and members of the Japanese absurdist troupe, Theatre Gumbo, drew reticent audience into their madness, demanding fervent sexual embraces.
“Be calm and composed. You’re clear.”
Members of Theatre Gumbo, DasSHOKU SHAKE! image courtesy Darwin Festival |
“That day I was drunk. Can you see me?”
Inspired by Umiumare’s trip home to Japan in the wake of the 2011 earthquake, DasSHOKU SHAKE! climaxes in the devastating tsunami that followed. Dressed in black plastic bags, the cast embodies chaos and destruction, and in the silence that follows, Umiumare roams the stage, looking for loved ones. People she recognizes drop, slip, slither out of her arms. All she had known is gone. A child’s yellow floatie lies at her feet.
“When you become who you really are, you become the Light itself.”
In an ironic twist, our journey through superficiality on a tormented search for enlightenment ends with George Harrison’s “Here Comes The Sun” and the show’s most faithful Butoh moment as Umiumare grieves. Faced with the horrendous reality, futility and fragility of life, the Beatles are the balm.
With traditional Japanese style, the cast broke the tension in an encore that dished up oversized sushi and sake, singing, “We’re all dying anyway. Let’s eat what we want.”
Darwin Festival: Yumi Umiumare, Theatre Gumbo & DasSHOKU Triangle, DasSHOKU SHAKE!, artistic director, choreographer Yumi Umiumare, co-director Kayo Tamura, performers Yumi Umiumare, Helen Smith, Willow J, Harrison Hall, Kayo Tamura, Nono Miyasaka, Ryo Nishihara, dramaturgy Matt Crosby, design Ellen Strasser, sound design Dan West, costumes Kiki Ando & Theatre Group GUMBO, original lighting design Tom Willis; George Brown Botanic Gardens, Darwin, Aug 20-22
The NT Writers’ Centre’s RealTime Workshop project is supported by the Australian Government Regional Arts Fund and the Northern Territory Government.
After 12 years in which circumstances kept her out of the arts, writer Kaye Hall is now Manager of the NT Writers Centre. She also runs Wordsmith & More, her own copywriting and editing business.
© Kaye Hall; for permission to reproduce apply to [email protected]