July 24 2013
Past-present tensions
Keith Gallasch, Naala-Ba (Look Future), Carriageworks and ISEA2013
July 3 2013
Data noise & the limits of dance
Keith Gallasch, Myriam Gourfink & Kaspar Toeplitz, Breathing Monster
June 26 2013
Nailing the virtual
Virginia Baxter, Keith Gallasch, The Portals
Night work
Keith Gallasch, Embodied Media, Night Rage
Palpable virtualities
Keith Gallasch, Paula Dawson, Holoshop: Drawing and Perceiving in Depth
The big connect
Somaya Langley, The Portals
Transformational walking
Anne Phillips, Long Time, No See?
June 18 2013
Musical multiverses
Gail Priest, Polysonics
Rainbow over ISEA
Keith Gallasch, Electric Nights
realtime tv @ ISEA2013: Zydnei, Troy Innocent
June 17 2013
If a system fails in a forest, is anybody listening?
Urszula Dawkins, If a system fails in a forest…, 107 Projects
June 16 2013
In the digital age, love your stationery obsession
Urszula Dawkins, Durational Book
Painting by algorithms
Keith Gallasch, Ernest Edmonds: Light Logic
June 15 2013
Home, sweet home
Urszula Dawkins, disSentience, Sleeth, SelgasCano, Tin Sheds
Pop up pleasure zones
Gail Priest, Electronic Art Pop-Ups, The Rocks
June 14 2013
Aural ecologies, mechanical and musical
Urszula Dawkins, EchoSonics, UTS Gallery
June 14 2013
Heck, baby, I shoulda seen it comin…
Urszula Dawkins, The Very Near Future, Alex Davies
More than meets the eye
Virginia Baxter, Keith Gallasch, Point of View
New tools and old skool grammars
Gail Priest, Macrophonics II
realtime tv @ ISEA2013: The very near future, Alex Davies
Start by leaping off a small stool
Urszula Dawkins, ISEA Closing Keynote Address: Julian Assange
June 13 2013
A curative dose of spontaneity
Lauren Carroll Harris, pvi collective, Deviator
M e d i a a r t t h e n a n d n o w
Darren Tofts, Catching Light, Campbelltown Arts Centre
Olfaction, decay & speculation
Gail Priest, Raewyn Turner & Brian Harris, Ian Haig, Nandita Kumar, Verge Gallery
ART, WELLNESS & DEATH
Riding the theta waves
Urszula Dawkins, Theta Lab, George Poonkhin Khut and James Brown
Run for your lives [2]
Keith Gallasch, Running the City, COFA, UNSW
To re-map and reclaim
Lisa Gye, Mapping Culture [panel]
Turning the media back on itself
Lisa Gye, Mark Hosler, Adventures in Illegal Art
June 12 2013
Outside the labyrinth…looking in at someone waving
Urszula Dawkins, SoundLabyrinth, Mark Pedersen and Roger Alsop
realtime tv @ ISEA2013: semipermeable (+), SymbioticA
Run for your lives [1]
Keith Gallasch, Marnix de Nijs, Run Motherfucker Run
June 12 2013
The uncanny in the gallery
Keith Gallasch, Mari Velonaki, Simon Ingram, Petra Gemeinboeck & Rob Saunders, Artspace
June 11 2013
realtime tv @ ISEA2013: EchoSonics, UTS Gallery
The science and art of tangible things
Urszula Dawkins, Synapse: A Selection, Powerhouse
Touch me there
Gail Priest, ISEA Artist talks: Siu, Baumann, Velonaki
June 10 2013
Being Stelarc
Gail Priest, Stelarc: Meat, Metal, Code: Engineering affect and aliveness
Life and death, and the membranes inbetween
Urszula Dawkins, semipermeable (+), SymbioticA
realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre
June 9 2013
'Pure' experience, in the round
Urszula Dawkins, Pure Land, iCinema
Data lives
Gail Priest, Genevieve Bell, Mark Hosler, Paolo Cirio & Alessandro Ludovico
realtime tv @ ISEA2013: Velonaki, Ingram, Gemeinboeck & Saunders, Artspace
June 8 2013
Knowing your place in Cartesian space
Gail Priest, Ryoji Ikeda, datamatics [ver 2.0]
Stars and starlings, pixels and picknickers
Urszula Dawkins, Ryoji Ikeda, datamatics [ver 2.0] & test pattern
The first of RealTime's video coverage of ISEA2013. Guest video artist Mike Leggett in conversation with Mari Velonaki, Simon Ingram and Petra Gemeinboeck & Rob Saunders exhibiting at
Artspace, Sydney, 2 May - 16 June, 2013.
Three installations with robotics as common ground approach this growing area of gallery art in distinct ways.
Mari Velonaki's 'The Woman and the Snowman' responds to the advanced humanoid robotic research of Prof Hiroshi Ishiguro in Osaka by incorporating the artificial with large projections of real places and small renderings of images taken from personal histories. Within the swirling arcs of a kinetic machine are hidden narratives of mountain living, robotic skiers and long lost movies accompanied by layers of sound, responsive to their machinations. An innovator in the Field Robotics Lab at the University of Sydney, Mari relates the complexities and challenges of interdisciplinary art making.
Simon Ingram's use of Lego robotic components to make three large scale paintings over the period of the exhibition is a collaboration with the staff of Artspace who are able to affect the software Simon operates from his base in Auckland, New Zealand. A painter by background, since 2007 he has ' developed a way of working to build on and collaborate with abstract problems inherent in both the history of painting and a range of attempts to plot living systems and electromagnetic energy.'
Petra Gemeinboeck and Rob Saunders 'Accomplice' incorporates machine learning with audience experience of the mechanical destruction of the walls of the gallery. The robots - only glimpsed as they hammer holes from the other side - communicate and plan the next days work during the hours the gallery is closed. This is where AI (artificial intelligence) and wider dialogues about the role of robotic technology meet in a public arena, versed in the histories of destruction in art.
Mike Leggett
© Mike Leggett; for permission to reproduce apply to [email protected]
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