realtime 107

online e-dition march 20
in the loop: beyond the cage
the cage in us, clocked out and judith wright centre

online e-dition march 20
in the loop: giveaways
message sticks & life in movement

online e-dition march 20
in the loop: on time and on the map
mca reopens, local positioning systems, performance space

online e-dition march 20
in the loop: quick picks
echology, waterwheel, the cola project, the penal colony, contact!

online e-dition march 20
in the loop: remembered journeys
norpa’s railway wonderland

editorial - rt107

in the loop - march 6
realtime's advance word

womadelaide 2012 preview
nothing lost in translation
2012 womadelaide: sivouplait and shantala

sydney festival 2012
black cultural capital
keith gallasch: 2012 sydney festival

sydney festival 2012
masculinity on the margins
caroline wake: urban theatre projects, buried city, sydney festival

perth international arts festival preview
essential & seminal: a work called dance
erin brannigan: lucinda childs, perth international arts festival

perth international arts festival preview
worlds of possibility
keith gallasch: jonathan holloway, artistic director, perth international arts festival

adelaide festival 2012
neurons, technology & the extended self
keith gallasch: garry stewart, proximity, adt, adelaide festival

celebrating an elusive form
megan garrett-jones: compass live art festival & symposium

culture will eat itself
mary paterson & theron schmidt: trashing performance, london

eartheffect: glitter and blood
yiorgos zafiriou: asiatopia 13, international performance art

arts centre ascendant
keith gallasch: lisa havilah, director carriageworks

caught in the act
virginia baxter: heidrun löhr, australian centre for photography

all that remains
bryoni trezise: my darling patricia, posts in the paddock

art is something you do, that happens to you
emily sexton: andy field, uk writer & co-director forest fringe

contagious matter, infectious stuff
caroline wake: theatre kantanka with ensemble offspring, bargain garden

critical acts of forgiveness
zsuzsanna soboslay: little dove theatre, cordelia—tell me how you love me

ethical ventriloquism
john bailey: recent melbourne performance

inside a korean fantasy-bar
matthew o’neill: underground, metro arts

obituary: douglas leonard

becoming otherwise: a symposium of images
philipa rothfield: where the image meets the body

of love and purgatory
matthew clayfield: daniel micich, shiver

psychic geology in theatre & dance
zsuzsanna soboslay: septimus & clarissa; dancer crush, new york

situation absence
tony osborne: return to sender, performance space

art-science: the cerebral & the sensory
ella mudie: hokuspokus and the body is a big place, performance space

remembering future lives
gail priest: ms&mr, xerox missive 1977/2011, agnsw

the deceptive eye: the world reappraised
keith gallasch: interview, artist, thomas demand

online e-dition march 6, 2012
artv: composer profile, cat hope
video interview with artistic director, decibel

bracing new music & a new percussion ensemble
greg hooper: the trilling wire series

man-machine music
sam gillies: the mechanical piano, waapa

tuning the audience
simon charles: erkki veltheim, astra

vale: john blades

burning issue
in the circles of hell: i could do that
philip brophy: the human centipede 2 (full sequence)

iran: cinematic defiance from a prison home
dan edwards: jafar panahi’s this is not a film

let’s get ethical
oliver downes: matthew bate’s shut up little man! an audio misadventure

opening up the terra incognita of experimental film
danni zuvela: the ubu and garry shead films on dvd

spotlight on shame
kirsten krauth: the slap revisited

the film editor: time & trust in the digital age
tina kaufman: henry dangar, screen editor

the flickerfest eye-opener
keith gallasch: 21st international annual flickerfest short film festival