editorial
coming up in realtime 115
the body in question
in the loop may 15: full on, head on
in the loop may 15: opportunities
in the loop may 15: quick picks
in the loop may 1: opportunities
in the loop may 1: quick picks
in the loop may 22: london calling
in the loop may 22: opportunities
in the loop may 22: quick picks
festivals
perth festival 2013
artfully, entertainingly visceral
maggi phillips: dance, perth international arts festival 2013
perth festival 2013
good lies & truth by degrees
john bailey: perth international arts festival 2013
perth festival 2013
set controls for the heart of the sun
laetitia wilson: light works, perth international arts festival
isea preview
isea2013: resistance is futile/fertile
keith gallasch: jonathan parsons, director, isea2013, sydney
ibt13
excretal, harmful, mournful, wonderful
tim x atack: in between time 13, bristol, uk
ibt13
should i stay or should i go?
niki russell: in between time 13, bristol, uk
ibt13
two moons, new worlds
osunwunmi: in between time festival, bristol, uk
adelaide festival 2013
enlarging the musical universe
chris reid: music program, adelaide festival 2013
adelaide festival 2013
gravity decentred
keith gallasch: adelaide festival
adelaide festival 2013
in the midst of death
jonathan bollen: theatre, adelaide festival 2013
adelaide festival 2013
laurie anderson: do dogs aspire to nirvana?
gail priest: laurie anderson, adelaide festival
adelaide festival 2013
the body, eloquent, risk-taking & violent
anne thompson: dance, adelaide festival 2013
special features
no content
performance
world theatre festival
15 minutes of fame & death after supper
kathryn kelly: brisbane powerhouse, 2013 world theatre festival
world theatre festival
embracing the world
stephen carleton: brisbane powerhouse, world theatre festival
burma report
paths to art in zones of conflict & transition
rachael swain: the flying circus project, myanmar
appropriations & approximations
keith gallasch: sydney performance
entertaining perplexities
astrid francis: fringe world 2013
inside the lives of others
lauren carroll harris: urban theatre projects, life as we know it
many questions, no need for answers
john bailey: kage, flesh & bone; the public studio, until then, then
tracing the transnational: degrees of interactivity
joelle jacinto: world symposium on global encounters
in south-east asian performing arts
dance
dance massive 2013
a dance for dark times
virginia baxter: dalisa pigram, gudirr gudirr
dance massive 2013
blacker than black
keith gallasch: antony hamilton, black projects 1 & 2
dance massive 2013
brittle bones & internal electricity
carl nilsson-polias: larissa mcgowan, skeleton
dance massive 2013
creating an affective community
jana perkovic: matthew day, intermission
dance massive 2013
dance & disorientation
keith gallasch: tim darbyshire, more or less concrete
dance massive 2013
dance: installed, immersed, hybridised
keith gallasch: dance massive 2013
dance massive 2013
in the thick of it
philipa rothfield: lee serle, p.o.v.
dance massive 2013
inner fury, seductive skill
philipa rothfield: anouk van dijk, chunky move, 247 days
dance massive 2013
life in a puff
carl nilsson-polias: ashley dyer, life support
dance massive 2013
more or less monstrous
jana perkovic: atlanta eke, monster body
dance massive 2013
sounds to dance to, with, against
gail priest: sound design in dance massive 2013
dance massive 2013
suggestive formalism
jana perkovic: natalie abbott, physical fractals
dance massive 2013
the perfection of submission
varia karipoff: jo lloyd, future perfect
dance massive 2013
when two become one
varia karipoff: stephanie lake, dual
missing martin
pauline manley: martin del amo, slow dances for fast times
rite & scar: boys to men
keith gallasch: interview daniel riley mckinley, bangarra
the eyes have it
carl nilsson-polias, balletlab, and all things return to nature tomorrow
the last dance on earth
keith gallasch: interview, lemi ponifasio
visual arts
online e-dition may 22, 2013
casting light on darkness
shane eastwood: dark mofo’s beam in thine own eye
a necessary transfusion
keith gallasch: sarah-jane norman, unsettling suite
acting out and mouthing off
ken bolton: bronwyn platten, mouths and meaning
love might not come easily to art, but…
ella mudie: we used to talk about love
new kid on the conglomerate art block
sophia kouyoumdjian, cementa 2013, kandos, nsw
sound/music
online e-dition may 22, 2013
vivid vibrations
gail priest talks with new wave: sound curator andrew batt-rawden
coding the software/art nexus
oliver bown
molten musics
greg hooper, the listening museum, clocked out & ensemble offspring
the city and its double
oliver downes: seven stations: love poems for sydney
unmoored in the maelstrom
dan bigna: soundout 2013
+onscreen
film & screen culture
burning issue
no prizes for the aacta awards
tina kaufman
audiovision
between electric italy & black america
philip brophy: quentin tarantino’s django unchained
for fugue’s sake
matthew lorenzon: performance, director yaron zilberman
reframing the world
dan edwards: sari braithwaite, human rights arts & film festival
the heart of cold war survival
katerina sakkas: christian petzold’s barbara
+onscreen media arts
ambient invader
andrew clifford: tim gruchy, scout