back;)
editorial
BURNING ISSUE
Election art fears & side effects
Keith Gallasch: The Arts & the 2013 Election
In the loop 11 Sept: Opportunities
In the loop 11 Sept: Quick picks
In the Loop 18 Sept: Opportunities
In the loop 18 Sept: Quick picks
In the loop 25 Sept: Opportunities
In the loop 25 Sept: Quick picks
In the loop August 28: opportunities
In the loop August 28: quick picks
In the loop Sept 4: opportunities
In the loop Sept 4: quick picks
Place: Linz, Austria – Ars Electronica special
Traveller: Matthew Gardiner, artist, researcher, curator
;)
festivals
Online e-dition August 28, 2013
In the belly of the past, with added apocalypse
Lauren Carroll Harris: Underbelly Arts Festival 2013
Online e-dition 18 Sept, 2013
Seeing Australia anew
Keith Gallasch: interview, David Malacari, Parramasala 2013
Canberra 100
Fear, imagination & activism
Josephine Starrs: 2013 TippingPoint Forum, Canberra 100
Canberra 100
Great expectations
John Baylis: Australian Theatre Forum 2013, Canberra 100
Singing the sound of the world
Keith Gallasch: interview, Bill Burns, Junction Arts Festival
Spectator sports
Alex Lazaridis Ferguson, Festival TransAmérique 2013
The eye looks inward
Judith Abell: MONA, Dark Mofo
You’ll stop seeing me as your dancing monkey
David Williams: Nature Theater of Oklahoma, Life and Times, MIAF
;)
special features
REGIONAL ARTS
Realising regional ambitions
Gail Priest: Scott Howie, RADO, Eastern Riverina Arts
ARTS EDUCATION:UTOPIAS & HORRORS
Zombie apocalypse at the ivory tower
Andrew Whelan, Christopher Moore, Ruth Walker
ARTS EDUCATION: UTOPIAS & HORRORS
Fresh Cut & Hatched
Artist images
ARTS EDUCATION: UTOPIAS & HORRORS
From: Head of the Utopian School of Music
Matthew Lorenzon: Music
ARTS EDUCATION: UTOPIAS & HORRORS
In the age of the new King Kongs of the online world
Tina Kaufman: Screen
ARTS EDUCATION: UTOPIAS & HORRORS
Real thinking in an ideal vein
Keith Gallasch:Theatre/Performance
ARTS EDUCATION: UTOPIAS & HORRORS
The book: multigraph not monograph
Nigel Krauth: Creative Writing courses for the future
ARTS EDUCATION: UTOPIAS & HORRORS
Transdisciplinary projections
Gail Priest, Media Art
ARTS EDUCATION: UTOPIAS & HORRORS
Utopia within, across & beyond the university
Martyn Jolly, Denise Ferris, Alistair Riddell: Visual & Media Arts
;)
performance
WOMEN + PERFORMANCE 3
A serious laughing matter
Jana Perkovic: BACKFLIP: Feminism & Humour in Contemporary Performance
WOMEN + PERFORMANCE 2
Anne-Louise Sarks
Anne Thompson
Online e-dition 18 Sept, 2013
A life too short, a momentary tragedy
Benjamin Brooker: Rita Kalnejais, Babyteeth, STCSA
Celebrating the body: plasticity & mutation
Kathryn Kelly: exist-ence 5, festival of live art, performance art and action art
Expecting the unexpected
Kathryn Kelly: La Boite Indie Season; Judith Wright Centre, Fresh Ground
Integrated audience & international citizen
John Bailey: Angharad Wynne-Jones, Arts House Season 2
Live art from demolition
Keith Gallasch: Michael Dagostino, Paul Gazzola, Temporary Democracies
Live art life styles
Keith Gallasch: Exist-ence 5, Sydney
Mercenary or hero?
Stephen Carleton: QTC, Mother Courage and Her Children
Performative evolutions
Keith Gallasch: Justin Shoulder, Team Mess
Re-working & new expectations
John Bailey: NEON: The Rabble, The Hayloft Project
Revealing the invisible
Annemaree Dalziel: Lieder Theatre, Comin’ Home Soon
Shadow boxing with illusions
Ben Brooker: Vitalstatistix, Adhocracy
Something happened
Keith Gallasch: Persona, The Maids, Angels in America
The telling power of masks
Gail Evans: Business Unusual, Contagion’s Kiss
Ventures in theatre-film
OzFrank Theatre, The Castle of Macbeth’s Head
;)
dance
Apocalyptic anxieties
Rebecca Youdell: Phluxus2 Dance Collective, de-generator
From the archive to a new gay baroque
Erin Brannigan: Montpellier Danse 2013
;)
visual arts
Online e-dition August 28, 2013
Arts Centre spelunking
Urszula Dawkins: Gabriella Mangano & Silvana Mangano, Hidden Spaces, Ready Stages
Dark arena
Darren Jorgensen: Michaela Gleave, A Day Is Longer Than A Year
Deranged Disney
Ian Haig: Paul McCarthy, WS, New York
Resisting erasure
Vincent Leveridge: Ghost Citizens: Witnessing the Intervention
To see… or not to see
Urszula Dawkins: Philip Brophy, Colour Me Dead
;)
sound/music
Online e-dition 4 Sept, 2013
Ruptures & raptures
Gail Priest, New Music Network: Cycle ~440, Tangents
Online e-dition 25 Sept, 2013
Improvisers & composers connect!
Keith Gallasch: interview James Eccles, Composed NOISE
Online e-dition 11 Sept, 2013
The common language of tinkering
Malcolm Smith: The Instrument Builders Project, Yogyakarta
Hybrid beats
Felicity Clark: Synergy and TaikOz, Pulse:Heart:Beat
Past reclamations, future provocations
Julian Knowles, Jon Rose’s The Music of Place: Reclaiming a Practice
;)
+onscreen
film & screen culture
ON THE DOX
History–just the way it’s got to be
Dan Edwards: Paul Clark, Whitlam: the Power and the Passion
Film’s saving excesses
Keith Gallasch: 2013 Revelation Perth International Film Festival
Goodbye to an interrogative eye
Dan Edwards: Obituary, Dennis O’Rourke, 14 August 1945–15 June 2013
The crime movie, Indigenously
Katerina Sakkas: Ivan Sen, Mystery Road
;)
+onscreen media arts
Online e-dition 11 Sept, 2013
Surfing the screen scene
Gail Priest: Eugnenia Lim, co-director Channels Video Festival
AUDIOVISION
Non-human speech & listening cameras
Philip Brophy: Vocal Folds, Gertrude Contemporary
In Profile: Michaela Davies
Gail Priest
In Profile: Pia van Gelder
Gail Priest
