realtime 118

RT Profiler 1, 5 Feb, 2014
Contibutor profile: Benjamin Brooker

RT Profiler 1, 5 Feb, 2014
Contributor profile: Michelle Astrid Francis (writing as Astrid Francis)

RT118 Editorial

RT118 Giveaways

Celebration and sad reflection
Mike Bodnar: Mbantua Festival, Alice Springs

Epics, legacies and continuities
Keith Gallasch: David Sefton, 2014 Adelaide Festival

Festival-going & making choices
Sydney Festival 2014 preview

RT Profiler 1, 5 Feb, 2014
SCANNER 2014: The Experimenters, Part 2

RT Profiler 1, 5 Feb 2014
SCANNER 2014: The Experimenters, Part 1

ENABLING ARTS
Enabling Art: Introduction
Keith Gallasch

ENABLING ART/FESTIVALS
A dialogue between equals
Keith Gallasch: PIAF: Nalaga’at Deaf-Blind Theatre Ensemble

ENABLING ART
Are you worth your salt?
Keith Gallasch: Restless Dance Theatre, Rob Tannion, SALT

ENABLING ART
Finding a place in the art world
Lucas Ihlein: John Demos at Big Fag Press

ENABLING ART
Inter-abilities, networks & re-evolutions
Matthew Lorenzon: JOLT & THE Amplified Elephants, Interview with James Hullick

ENABLING ART
Live art, the enabler
Access All Areas: book & DVDs

ENABLING ART
New selves made by dancing
Keith Gallasch: Catalyst Dance Masterclass Series, Second Skin

ENABLING ART
Onstage: liberated into other worlds
Keith Gallasch: Merrigong Theatre Co, The Man Who Dreamt the Stars 

ENABLING ART
Sons & mothers, from two angles
Benjamin Brooker: No Strings Attached Theatre of Disability, Sons & Mothers

ART CENTRES
The real thing
Keith Gallasch: Lisa Havilah, Carriageworks 2014 Program

WOMEN + PERFORMANCE 5
Confronting the canon
Anne Thompson: Post: Zoë Coombs Marr, Mish Grigor, Natalie Rose, Sydney Festival 2014

A life re-lived and imagined anew
David Williams: Nature Theater of Oklahoma, Life and Times: Episodes 1-4

A painful proximity to truth
Benjamin Brooker: Flying Penguin, STCSA: Angela Betzien, The Dark Room

A republic of words, images, bodies
Kathryn Kelly: Brisbane Festival: performance

Creative exploitations
John Bailey: Melbourne International Arts Festival

Hamlet, Harding & the Living Dead
Keith Gallasch: Belvoir, Hamlet; Griffin, The Floating World

Intimate transformations
Astrid Francis: Proximity Festival 2013

Performative experiments & perspectives
Lauren Carroll Harris: Shopfront Theatre, Civic Life—A Walk in the Dark

The past lives in us
Nicola Fearn: Forced Legacy—The Story of Alyngdabu

The poetry of catastrophe
Kirsten Krauth: Klare Lanson, #wanderingcloud

The schooled audience
Astrid Francis: James Berlyn, Crash Course

War and theatre by other means
Keith Gallasch: version 1.0, The Vehicle Failed to Stop

RT Profiler 1, 5 Feb, 2014
Sasha Waltz in conversation
Audio stream

A ghostly bonding
Jessica Sabatini: Luke George & collaborators, Not About Face

A long, slow, loving look at dance
Womadelaide 2014: Slow Dancing

Between meaning & pure physical eloquence
Anne Thompson: OzAsia: Leigh Warren & Dancers, Not According to Plan

Heat into movement
Philipa Rothfield: Stephanie Lake, Robin Fox, A Small Prometheus

REGIONAL NSW
Re-inscribing nature
Jade Wildy: Mildura Palimpsest #9

REGIONAL NSW
Regional Profiles: The Ronalds
Gail Priest

Bringing Russian art to light
Chris Reid: Moscow Biennale

Wish you were here
Virginia Baxter, Keith Gallasch: Robyn Stacey, Guest Relations

ON THE DOX
Making and distributing from the grassroots up
Dan Edwards: Documentary distribution in the digital era

BURNING ISSUE
Radically re-thinking film distribution
Tina Kaufman: Lauren Carroll Harris: Not At a Cinema Near You

Girls in the beginning
Neph Wake: Lena Dunham, Tiny Furniture

Speaking of ghosts
Katerina Sakkas: Warwick Thornton, The Darkside

AUDIOVISION
Loving the image of your own voice
Philip Brophy: Japanese Digital Signage, 2013

Closed circuit
Jake Wilson: 2013 Experimental Congress

Time out for creatives
Keith Gallasch: Interview, George Hedon, Pause Fest 2014

Video art now through the lens of then
Urszula Dawkins, Channels Video Art Festival