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realtime 123

Oct-Nov 2014

editorial

RT PROFILER 7, 12 NOVEMBER 2014
Partner Art pt 2

A grand plan: reassurance & hope
Keith Gallasch: Australia Council Five-Year Strategic Plan

Editorial - RT123

Giveaways RT123



festivals

OZASIA FESTIVAL 2014
Accelerating cultural evolution
Chris Reid: 8th OzAsia Festival 2014

OZASIA 2014
Culture’s haunted houses
Ben Brooker: 8th OzAsia Festival 2014

INTERNATIONAL
From the ashes, renewal
Alice Williams:Festival 9th Holstebro Festuge; Odin Teatret 50th Anniversary

INTERNATIONAL
Radical expectations
Tessa Leong: Avignon Festival 2014

Cultural syntheses: north-south, east-west
Nicola Fearn: 2014 Darwin Festival

Grand innovators
Keith Gallasch: Melbourne International Arts Festival

Stepping just out of the frame
Malcolm Whittaker: Junction Arts Festival

What’s big about being small?
Nerida Dickinson: 2014 Proximity Festival preview



special features

no content

performance

WOMEN + PERFORMANCE 6
The power of listening
Caroline Wake: Roslyn Oades

RT PROFILER 7, 12 NOVEMBER, 2014
In Profile: Angus Cerini, writer, performer, director
John Bailey

REALTIME IS 20!
The RealTime of our lives
RealTime 20th Birthday & Book Launch

Deep inside the world-as-body
George Dann: Bonemap: Nerve Engine—an experience just for you

Degrees of risk and violence
Kathryn Kelly: Finding the Silence; Hedonism’s Second Album

Forever young
PACT IS FIFTY

Gorky validated, if improved
Keith Gallasch: STC, Children of the Sun

In search of a theatre of the mind
Bryoni Trezise: My Darling Patricia, Mantle

Live art minus jets
John Bailey: Arts House, Going Nowhere

Speaking to reality, more or less
John Bailey: Red Stitch, YouTube Comment Orchestra, intimacy

The art of escapology
Robert Reid: In Escape Rooms

The theatre of induced susceptibility
Urszula Dawkins: Bron Batten, Use Your Illusion

War on the inside, on both sides
Zsuzsanna Soboslay: Honchos Meeting in Cowra



dance

BURNING ISSUE
Was there dancing?
Keith Gallasch: Keir Choreographic Award; Performance Space, SCORE

Art against the clock
Teik-Kim Pok: Gail Priest, Jane McKernan, One thing follows another

Body duress, culture stress
Keith Gallasch: Performance Space: SCORE

Can we ever be home?
Jodie McNeilly: Narelle Benjamin, Hiding in Plain Sight

Dancing in the divide
Jonathan W Marshall: Daniel Belton, Satellites

Holy Sheet & the collective choreographic consciousness
Julie-Anne Long: Luke George, Daniel Kok

Listening with my skin, bones, organs, eyes
Nalina Wait: Interview, Michael Schumacher, MoveMe Festival of Improvisation

On the precipice of dancing matter
Maggi Phillips: Rachel Ogle, Precipice

Starting out
Keith Gallasch: Miranda Wheen & Matt Cornell; Carl Sciberras

Three minds, six bodies, one wonder
Bernadette Ashley: TasDance/Dancenorth,Threefold



visual arts

RT PROFILER 7, 12 NOVEMBER, 2014
In Profile: André Lawrence, emerging curator
Chris Reid

RT PROFILER 7, 12 NOVEMBER, 2014
realtime tv: Kate McMillan's Moment of Disappearance

RT PROFILER 7, 12 NOVEMBER, 2014
realtime tv: Ken Thaiday Senior

Art and reclamation
Chris Reid: Bound and Unbound: Sovereign Acts

Images & icebergs
Holly Williams: The Sceptical Image, SCA Galleries; Bergie Seltzer, Firstdraft

Made wise by disorientation
Urszula Dawkins: Scott Miles, Nothing under the sun

Teen fun in dystopic times
Ann Finegan: Campbelltown Arts Centre, The List

The binding chains of social connection
Greg Hooper: Saltwater Country

Treasures of the lost and found
CCP: Crossing Paths with Vivian Maier

Triangulating the horizon
Gail Priest: MAAP, Land Sea Sky

sound/music

RT PROFILER 7, 12 NOVEMBER, 2014
In Profile: Julian Day, composer
Matthew Lorenzon

Compulsively obsessive art & sound
Darren Jorgensen: What I See When I Look At Sound

Heaven & Hades, virtually
Zsuzsanna Soboslay: ANU School of Music, Monteverdi, L’Orfeo

Opera redux: the Glass Trilogy
Chris Reid: State Opera of SA, Philip Glass Operas

The limits of multi-Mayakovsky
Keith Gallasch: Sydney Chamber Opera, Mayakovsky

The music of archival track work
Zsuzsanna Soboslay: Jon Rose, Ghan Tracks

The percussive gesture
Greg Hooper: Early Warning System: Give us this Day—Five Sonic Adventures

Unerring explorations
Matthew Lorenzon: Bendigo International Festival of Exploratory Music

Wake with ceramophone
Deirdre Mulrooney: Chamber Made Opera, Wake



+onscreen
film & screen culture

ON THE DOX
Life, death & music—making connections
Dan Edwards: Melbourne International Film Festival

AUDIOVISION
Hyperreal sonics & breathing music
Phillip Brophy: Stephanie Spray & Pacho Velez, Manakamana

Christopher Barnett: Cultural Bolshevik
Antenna Festival: These Heathen Dreams

Horror—beyond genre
Katerina Sakkas: Stranger With My Face Horror Film Festival



+onscreen media arts

no content