realtime 125

Giveaways RT125

RT125 Editorial

SYDNEY FESTIVAL
A memoir: knock’em down
Djon Mundine, Vicki Van Hout, Long Grass

SYDNEY FESTIVAL
In the neighbourhood
Virginia Baxter, Bankstown:Live

SYDNEY FESTIVAL
Lives in & out of sync
Bryoni Trezise, On the Harmful Effects of Tobacco & Have I No Mouth

SYDNEY FESTIVAL
Slippery when whet
Felicity Clark, The Long Pigs & The Kitchen

SYDNEY FESTIVAL
Taking it to the limit
Keith Gallasch, 2015 Sydney Festival

RT PROFILER 9, 25 MARCH 2015
Across the great divide
Keith Gallasch, Cementa 15, Kandos, NSW

RT PROFILER 9, 25 MARCH 2015
realtime tv: ELECTRONA 7054: An Ode to Suburban Sprawl

RT PROFILER 9, 25 MARCH 2015
Springing from between the cracks
Keith Gallasch, Interview: Finn O’Branagain, Co-Artistic director Crack Theatre Festival

PIAF & WOMADEDLAIDE
We all can dream
Gail Priest, Dalisa Pigram & Edwin Lee Mulligan, Cut the Sky, Marrugeku

DANCE MASSIVE 2015
Up there for dancing
Keith Gallasch, Dance Massive & Long Grass

Broken: the museum grip on bodily performance
Philip Brophy, Tokyo Art Meeting 5

Ritual empty & full, spiritual & political
Megan Garrett-Jones, Venice International Performance Art Week 2014

REGIONAL NSW/VIC
On the border: practice & potential
Keith Gallasch, Interview: Karen Gardner, Murray Arts

MODES OF PRODUCTION: The Producers 1
Producer at work: a storm of creativity
Kathryn Kelly, Producer: David Sleswick

MODES OF PRODUCTION: Introduction
Art, mind and ideology
Keith Gallasch

MODES OF PRODUCTION
APPCAMP: First snowfall, auspicious beginnings
Urszula Dawkins, Asian Producers’ Platform Camp 2014, Seoul, Korea

MODES OF PRODUCTION
Shared creation in safe places
Malcolm Whittaker, Arts House, Live Art Camp

MODES OF PRODUCTION
The greening of performance
Emma Webb, Arts House, Going Nowhere

MODES OF PRODUCTION
The post-museum & the uncertainty principle
Jane Goodall, The post-museum, part 1

MODES OF PRODUCTION
Time-space reshape
Keith Gallasch, interview: Jeff Khan, Performance Space

MODES OF PRODUCTION
To do more than talk, more than please
Malcolm Whittaker, Australian Theatre Forum 2015: Making It

RT PROFILER 9, 25 MARCH 2015
The perfection of silliness and stupidity
Keith Gallasch, Interview: Jo Lancaster, acrobat

Art inside out
Lauren Carroll Harris, Tiny Stadiums 2014

Couple bust taboo
John Bailey, Interview: Bryony Kimmings

For and by kids with a little help from friends
Bryoni Trezise, The Drawing

In-theatre, online, public, private
Ben Brooker, ActNow, Zero Feet Away

Loving Philip Seymour Hoffman
Keith Gallasch, re:group performance collective, Lovely

Mis-labelled child
Nerida Dickinson, Joey: the Mechanical Boy

Stein song
John Bailey, Loving Repeating: A Musical of Gertrude Stein

The performance lecture: the dead & the dead-end
John Bailey, Trilogies

The politics of sacrifice
Kathryn Kelly, Motherboard Productions: Or Forever Hold Your Peace…

Underground, actually and seriously
Ilana Cohn, Restaging Restaging

We’re on earth, is there a cure for that?
Keith Gallasch, Interview: Andrew Upton, Endgame

FROM BELGIUM
De Keersmaeker’s dance of ever more simple movement
Jana Perkovic, Performance/Dance

Humanimal dances
Keith Gallasch, New Breed, IOU3

Mining the magic of the moment
Nerida Dickinson, MoveMe Improvisation Festival

MoveMe’s becoming & arriving
Maggi Phillips, MoveMe

RT PROFILER 9, 25 MARCH 2015
Sounding eclecticism & juxtaposition
Keith Gallasch, interview: Tos Mahoney, Totally Huge New Music Festival

Errant violinism
Matthew Lorenzon, Rosenberg 3.0, not violin music

Falling into Heaven
IHOS Opera, Kimisis—Falling Asleep

Live, wired & testing the limits
Chris Reid, Zephyr Quartet, Music for Strings and iThings

New audiences for new instruments
Clinton Green, The Instrument Builders Project

Persona re-personified
Klare Lanson, Chamber Made Opera, Another Other

Radical thought as sound
Roslyn Helper, The NOW now festival 2015

AUDIOVISION
World War Z: Israel-Palestine musical
Philip Brophy, World War Z

Film as essay, performance as film
Keith Gallasch, Performance Now; Hito Steyerl

Scarlett Johansson & the alien feminine
Katerina Sakkas, Her, Lucy and Under the Skin

REGIONAL NSW
Water play and sensory circuits
Joel Markham: Vic McEwan’s Almost an embrace

Time recharged
Mike Leggett, Experimenta Recharge 6th International Biennal