![](data/fonts/_da__h2_nounder.gif)
editorial
RT126
Editorial
PROFILER 10, 20 MAY 2015
Major art heist: the Brandis file
Keith Gallasch: 2015 Arts budget
![](data/fonts/_da__h2_nounder.gif)
festivals
PuSh INTERNATIONAL PERFORMING ARTS FESTIVAL
Double wonder
Mikis Vrettakos: Steppenwolf
PuSh INTERNATIONAL PERFORMING ARTS FESTIVAL
Through a looking glass
Cindy Mochizuki
PERTH INTERNATIONAL ARTS FESTIVAL
A festival rising in the body of one
Maggi Phillips: Dance
PERTH INTERNATIONAL ARTS FESTIVAL
Ambition and vision
Nerida Dickinson: Cut The Sky, The Rabbits
IN BETWEEN TIME FESTIVAL, BRISTOL
Calm and turbulence
Osunwunmi
IN BETWEEN TIME FESTIVAL, BRISTOL
Weather: immersive
Tim X Atack
FASHION
The zero waste cut
Varia Karipoff: INTGRS, Australia Melbourne Fashion Festival
DANCE MASSIVE 2015
At play with perception & consciousness
Philipa Rothfield
DANCE MASSIVE 2015
Dance Massive
Jana Perkovic
DANCE MASSIVE 2015
The body, seen & seeing
Varia Karipoff
ADELAIDE FESTIVAL OF THE ARTS
Ecstatic, tribal contemporary dance
Anne Thompson: Cedar Lake Contemporary Ballet
ADELAIDE FESTIVAL OF THE ARTS
The composer in full voice
Chris Reid: Gavin Bryars in Residence
ADELAIDE FESTIVAL OF THE ARTS
The mind performs
Ben Brooker: Performance
ADELAIDE FESTIVAL OF THE ARTS
You can dance if you want to...
Gail Priest: Unsound
Inner lives & collective crises
Stephen Carleton: Brisbane Powerhouse MELT Festival
![](data/fonts/_da__h2_nounder.gif)
special features
PERFORMANCE & ASYLUM
Draft Apology to the Survivors of Immigration Detention
Caroline Wake
PERFORMANCE & ASYLUM
Shoulder to shoulder
Caroline Wake: Casula Powerhouse Arts Centre: Origin-Transit-Destination
PERFORMANCE & ASYLUM
Voicing empathy, rehearsing protest
Caroline Wake: Apocalypse Theatre Company: Asylum
PERFORMANCE & ASYLUM
What will you do?
Caroline Wake: Art & Refugees
MODES OF PRODUCTION
Digital theatre: live and mobile
Malcolm Whittaker: Australia Council, Digital Theatre Fund
MODES OF PRODUCTION
Museums more or less
Jane Goodall: The Post-Museum, Part 2
To market to market!
Keith Gallasch: 2016 Australian Performing Arts Market
![](data/fonts/_da__h2_nounder.gif)
performance
WOMEN + PERFORMANCE 7
The power of the outsider
Urszula Dawkins: Tamara Saulwick
THE PRODUCERS 2
To the moon: producing the future
Keith Gallasch: Interview, Harley Stumm, Intimate Spectacle
PROFILER 10, 20 MAY 2015
Plasticity, performance & environment
Profile: Bonemap
PROFILER 10, 20 MAY 2015
RealTime Writing Workshop
Vivienne Walshe, This is where we live
PROFILER 10, 20 MAY 2015
The body: subject, object, material
Amelia Jones lecture: Material Traces: Performativity, Artistic 'Work,’ and New Concepts of Agency
PRAGUE QUADRENNIAL OF SPACE & DESIGN
Design for the here and now
Interview, Anna Tregloan
METANOIA 2015, LIVE WORKS PROGRAM
Live art: new home, new terrain
Interview with Gorkem Acaroglu, Georgia Symonds
FROM BELGIUM 2
The deep roots of revelatory performance
Jana Perkovic: Emma Dante, Alvis Hermanis
Comic descent
Kate Rotherham: acrobat, It’s Not For Everyone
Lives in collision
Nicola Fearn: Mary Anne Butler, Broken, Brown’s Mart, Darwin
Perception shifts
Keith Gallasch: Belvoir, Kill the Messenger; STC, Suddenly Last Summer
Queering the days
Fiona McGregor, Performance Space, Day For Night
Taking a hard look at the self
John Bailey: Melbourne - Kimmings & Grayburn, Hardgrave, Pratt
Trouble shared
Virginia Baxter: Baulkham Hills African Ladies Troupe
War, fragility & imagination
Nerida Dickinson: From The Rubble
![](data/fonts/_da__h2_nounder.gif)
dance
Keeping track
Philipa Rothfield: Phantom Limbs’ Dreamlogic
The enduring dance
Keith Gallasch: Sydney Dance Company, Frame of Mind
![](data/fonts/_da__h2_nounder.gif)
visual arts
SITUATE ARTS LAB
From lab to creation to festival
Interview, Kelli Alred
PERTH INTERNATIONAL ARTS FESTIVAL
War, nostalgia, utopia
Darren Jorgensen
The moment in between
Urszula Dawkins: Project 15: DEATH | LIFE
![](data/fonts/_da__h2_nounder.gif)
sound/music
PROFILER 10, 20 MAY 2015
Game to play
Keith Gallasch: Vivid@Seymour: Musify+Gamify & New Wave Sound
METROPOLIS NEW MUSIC FESTIVAL 2015
More than meets the ear
Interview, Kirsten Siddle
Riding the wave
Clinton Green: The Necks
Trans-Tasman drone
Jonathan W Marshall: Lines Of Flight Festival Of Experimental Music
When music and poetry converse
Michael Hooper: Halcyon, Stolen
![](data/fonts/_da__h2_nounder.gif)
+onscreen
film & screen culture
ON THE DOX
...on class & development
Dan Edwards: JP Sniadecki, The Iron Ministry
AUDIOVISION 16
Reading the film score: part 1
Philip Brophy: Paul Thomas Anderson, Inherent Vice
AUDIOVISION 16
Reading the film score: part 2
Philip Brophy: Paul Thomas Anderson, Inherent Vice
From Faust on film to now
Audi Festival Of German Films
Get your art fix: Artfilms
Artfilms Online Streaming Service
![](data/fonts/_da__h2_nounder.gif)
+onscreen media arts
PROFILER 10, 20 MAY 2015
At one with water
Keith Gallasch: Igneous, FLUIDATA, installation & performance