realtime 126

RT126
Editorial

PROFILER 10, 20 MAY 2015
Major art heist: the Brandis file
Keith Gallasch: 2015 Arts budget

Giveaways RT126

PuSh INTERNATIONAL PERFORMING ARTS FESTIVAL
Double wonder
Mikis Vrettakos: Steppenwolf

PuSh INTERNATIONAL PERFORMING ARTS FESTIVAL
Through a looking glass
Cindy Mochizuki

PERTH INTERNATIONAL ARTS FESTIVAL
A festival rising in the body of one
Maggi Phillips: Dance

PERTH INTERNATIONAL ARTS FESTIVAL
Ambition and vision
Nerida Dickinson: Cut The Sky, The Rabbits

IN BETWEEN TIME FESTIVAL, BRISTOL
Calm and turbulence
Osunwunmi

IN BETWEEN TIME FESTIVAL, BRISTOL
Weather: immersive
Tim X Atack

FASHION
The zero waste cut
Varia Karipoff: INTGRS, Australia Melbourne Fashion Festival

DANCE MASSIVE 2015
At play with perception & consciousness
Philipa Rothfield

DANCE MASSIVE 2015
Dance Massive
Jana Perkovic

DANCE MASSIVE 2015
The body, seen & seeing
Varia Karipoff

ADELAIDE FESTIVAL OF THE ARTS
Ecstatic, tribal contemporary dance
Anne Thompson: Cedar Lake Contemporary Ballet

ADELAIDE FESTIVAL OF THE ARTS
The composer in full voice
Chris Reid: Gavin Bryars in Residence

ADELAIDE FESTIVAL OF THE ARTS
The mind performs
Ben Brooker: Performance

ADELAIDE FESTIVAL OF THE ARTS
You can dance if you want to...
Gail Priest: Unsound

Inner lives & collective crises
Stephen Carleton: Brisbane Powerhouse MELT Festival

WOMEN + PERFORMANCE 7
The power of the outsider
Urszula Dawkins: Tamara Saulwick

THE PRODUCERS 2
To the moon: producing the future
Keith Gallasch: Interview, Harley Stumm, Intimate Spectacle

PROFILER 10, 20 MAY 2015
Plasticity, performance & environment
Profile: Bonemap

PROFILER 10, 20 MAY 2015
RealTime Writing Workshop
Vivienne Walshe, This is where we live

PROFILER 10, 20 MAY 2015
The body: subject, object, material
Amelia Jones lecture: Material Traces: Performativity, Artistic 'Work,’ and New Concepts of Agency

PRAGUE QUADRENNIAL OF SPACE & DESIGN
Design for the here and now
Interview, Anna Tregloan

METANOIA 2015, LIVE WORKS PROGRAM
Live art: new home, new terrain
Interview with Gorkem Acaroglu, Georgia Symonds

FROM BELGIUM 2
The deep roots of revelatory performance
Jana Perkovic: Emma Dante, Alvis Hermanis

Comic descent
Kate Rotherham: acrobat, It’s Not For Everyone

Lives in collision
Nicola Fearn: Mary Anne Butler, Broken, Brown’s Mart, Darwin

Perception shifts
Keith Gallasch: Belvoir, Kill the Messenger; STC, Suddenly Last Summer

Queering the days
Fiona McGregor, Performance Space, Day For Night

Taking a hard look at the self
John Bailey: Melbourne - Kimmings & Grayburn, Hardgrave, Pratt

Trouble shared
Virginia Baxter: Baulkham Hills African Ladies Troupe

War, fragility & imagination
Nerida Dickinson: From The Rubble

Keeping track
Philipa Rothfield: Phantom Limbs’ Dreamlogic

The enduring dance
Keith Gallasch: Sydney Dance Company, Frame of Mind

SITUATE ARTS LAB
From lab to creation to festival
Interview, Kelli Alred

PERTH INTERNATIONAL ARTS FESTIVAL
War, nostalgia, utopia
Darren Jorgensen

The moment in between
Urszula Dawkins: Project 15: DEATH | LIFE

PROFILER 10, 20 MAY 2015
Game to play
Keith Gallasch: Vivid@Seymour: Musify+Gamify & New Wave Sound

METROPOLIS NEW MUSIC FESTIVAL 2015
More than meets the ear
Interview, Kirsten Siddle

Riding the wave
Clinton Green: The Necks

Trans-Tasman drone
Jonathan W Marshall: Lines Of Flight Festival Of Experimental Music

When music and poetry converse
Michael Hooper: Halcyon, Stolen

ON THE DOX
...on class & development
Dan Edwards: JP Sniadecki, The Iron Ministry

AUDIOVISION 16
Reading the film score: part 1
Philip Brophy: Paul Thomas Anderson, Inherent Vice

AUDIOVISION 16
Reading the film score: part 2
Philip Brophy: Paul Thomas Anderson, Inherent Vice

From Faust on film to now
Audi Festival Of German Films

Get your art fix: Artfilms
Artfilms Online Streaming Service

PROFILER 10, 20 MAY 2015
At one with water
Keith Gallasch: Igneous, FLUIDATA, installation & performance