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GIVEAWAY MAY 25
Carol DVD

GIVEAWAY APRIL 20
Jafar Panahi’s Tehran Taxi DVD

GIVEAWAY APRIL 20
Peggy Guggenheim: Art Addict DVD

GIVEAWAY APRIL 13
99 Homes DVD

AN ARTS CRITICAL ELECTION

Editorial 4 May 2016

For art’s sake, for artists’ sake - act now!

NEXT WAVE
Next Wave Festival 2016: the thrill of emergence
Jane Howard, opening weekend performances

NEXT WAVE
Next Wave, a festival of creative attentiveness
Simon Eales: CAMEL, The Horse, [MIS]CONCEIVE, BlaaQ Catt

2016 Next Wave: the future now
Keith Gallasch: interview, Artistic Director Georgie Meagher

Live art, sex, death & community
Megan Garrett-Jones, Buzzcut Festival, Glasgow

Nightmares & dreamscapes
Katerina Sakkas: Stranger With My Face International Film Festival

Playing the live art game
Madeleine Hodge: PLAYING UP, Live Art for Kids and Adults

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BIENNALE OF SYDNEY
20th Biennale of Sydney: fierce return of the Futurists
Keith Gallasch: Justene Williams, Sydney Chamber Opera, Victory Over the Sun

BIENNALE OF SYDNEY
The art of disappearance
Virginia Baxter: Mette Edvardsen, No title

A meeting of Aboriginal & Jewish cultures
John Bailey: Elise Hearst & Andrea James, Bright World

Addiction’s vicious cycles
Jana Perkovic: Tony Reck, Dirty Pictures

Can acrobatics liberate Modernism’s heroines?
Kathryn Kelly: Circa & La Boite, When One Door Closes

Climate change, culture threat
Fiona McGregor, Blacktown Arts Centre’s Disaffected

La Mama’s Uncle Vanya plays in regional Victoria

RUCKUS, Speed Of Life

Zoe’s masterpiece
John Bailey: Zoe Coombs Marr, Trigger Warning

REGIONAL
Regional industry: dance versus loss
Judith Abell: Stompin, Panorama

DANCEWRITE WORKSHOP
Next Wave Festival: The violence of internalised oppression
Miriam Kelly: Passing

DANCEWRITE WORKSHOP
Next Wave Festival: Urgent cultural tensions embodied
Chloe Chignell: Passing

DANCEWRITE WORKSHOP
Next Wave Festival: “How did that make you feel?”
Elyssia Bugg: Admission Into The Everyday Sublime

DANCEWRITE WORKSHOP
Next Wave Festival: Cultural tensions in a fraught sisterhood
Maximilian: Passing

DANCEWRITE WORKSHOP
Next Wave Festival: Dance & humour vs misinformation
Alison Finn: [MIS]CONCEIVE

DANCEWRITE WORKSHOP
Next Wave Festival: Dance, decay & transformation
Alison Finn: Desert Body Creep

DANCEWRITE WORKSHOP
Next Wave Festival: From disconnect to transcendence
Maximilian: Admission Into The Everyday Sublime

DANCEWRITE WORKSHOP
Next Wave Festival: Many ways into “energized tranquility’
Alison Finn: Admission Into The Everyday Sublime

DANCEWRITE WORKSHOP
Next Wave Festival: Re-seeing the body in motion
Maximilian: Desert Body Creep

DANCEWRITE WORKSHOP
Next Wave Festival: Shaking loose the self
Elyssia Bugg: Desert Body Creep

DANCEWRITE WORKSHOP
Next Wave Festival: The art of unlearning
Elyssia Bugg: [MIS]CONCEIVE

DANCEWRITE WORKSHOP
Next Wave Festival: The evocative power of abstraction
Miriam Kelly: Admission Into The Everyday Sublime

DANCEWRITE WORKSHOP
Next Wave Festival: The fantastical power of the everyday
Chloe Chignell: Desert Body Creep

DANCEWRITE WORKSHOP
Next Wave Festival: The transmission of sensation
Chloe Chignell: Admission Into The Everyday Sublime

DANCEWRITE WORKSHOP
Next Wave Festival: Wrestling with monsters
Miriam Kelly: Desert Body Creep

BIENNALE OF SYDNEY
Compulsion’s fraught harmonies
Keith Gallasch: Boris Charmatz, Musée de la danse, Manger

BIENNALE OF SYDNEY
The dancing museum & the politics of public space
Keith Gallasch: Boris Charmatz, Nina Beier & Meryl Tankard

A dance-propelled Newcastle
Keith Gallasch: interview Cadi McCarthy, Catapult Dance

Award keeps choreographers & audiences on their toes
Keith Gallasch: 2016 Keir Choreographic Award

Conceptual choreography & award anxieties
Andrew Fuhrmann: Keir Choreographic Award, Program Two

Dance opens out gaol-space
Keri Glastonbury, PROPELLED, Newcastle

Everything in the mix
Andrew Fuhrmann: Keir Choreographic Award Semi-Finals 1

Eye to eye with the animal
Nikki Heywood: Xavier le Roy, Temporary Title

Facing trauma with dance
Alex Ferguson: Kidd Pivot & the Electric Company, Betroffenheit

Game on: making the virtual physical
Ben Brooker: interview Larissa McGowan, Mortal Condition

Heather Kravas & American Realness
Rennie McDougall: Heather Kravas’ dead, disappears

Liberating lo-fi for the digital generation
Bernadette Ashley, Dancenorth, Rainbow Vomit

The art & ideas behind an award
Keith Gallasch, interview Phillip Keir, Keir Choreographic Award

Art for science
Alex Christopher: Emergence, video art

Derek Kreckler: Accident & Process is on tour

Decibel and the new classicism
Darren Jorgensen: Decibel, The Nature of Sound

Leah Barclay: global sono-eco ambassador
Gail Priest

The beautiful music of mortality
Angus McPherson: SSO at Carriageworks, Crossing the Threshold

Love & pain: a crystalline memoir
Keith Gallasch: Margot Nash, The Silences

Men’s Business in another world
Dan Edwards, Stephen Page’s Spear

The end of an idyll
Katerina Sakkas: Simon Stone’s The Daughter

AUDIOVISION 22
David dead & sounding real
Philip Brophy: Lady Gaga’s David Bowie Tribute, 58th Annual Grammys