back;)
editorial
GIVEAWAY 22 FEBRUARY
DVD: Life, Animated
GIVEAWAY 15 FEBRUARY
DVD: Tanna
GIVEAWAY 15 FEBRUARY
TAO Dance Theater in ‘6’ and ‘8’
Two double passes, opening night, 22 Feb, Melbourne
GIVEAWAY 1 MARCH
DVD: Ken Loach's I, Daniel Blake
Lauren Carroll Harris joins RealTime
THE LOOP
15 February 2017
THE LOOP
22 February 2017
THE LOOP
8 March 2017
THE LOOP
22 March 2017
THE LOOP
29 March 2017
;)
festivals
SYDNEY FESTIVAL 2017
Aromatics of thought
Keith Gallasch: Cat Jones, Scent of Sydney
SYDNEY FESTIVAL 2017
Art at labour's limits
Nikki Heywood: Institute; Still Life
SYDNEY FESTIVAL 2017
Art takes on despair
Vicki Van Hout: Blood on the Dance Floor; Prize Fighter; Huff
SYDNEY FESTIVAL 2017
Cultures, words, lives, limits
Keith Gallasch: SHIT, Ich Nibber Dibber, The Season, The Encounter
SYDNEY FESTIVAL 2017
Senses and causes
Nikki Heywood: Imagined Touch; Spectra
PuSh FESTIVAL
Spatial effects, narrative distractions
Alex Lazaridis Ferguson: 2017 PuSh International Festival of Performing Arts
PIAF 2017
Our world, now different?
Jana Perkovic: Museum of Water, Before the Siren, The Year I Was Born
PIAF 2017
Three kinds of grieving
Jonathan W Marshall: Opus No. 7, Betroffenheit, Exit/Exist
IBT 2017
Ghosts and bones and angels
Osunwunmi: In Between Time International Festival 2017
IBT 2017
Phases and faces
Timothy X Atack: In Between Time International Festival, Bristol
ASIA TOPA
Disaster meditations from Japan
John Bailey: Kagerou; Time's Journey Through a Room
ASIA TOPA
Of sport and gods
John Bailey: Circa, One Beautiful Thing; Next Wave, Lukautim Solwara
ASIA TOPA
Performing Asia in & with Australia
Keith Gallasch: interview, Stephen Armstrong, Kate Ben-Tovim
ASIA TOPA
The power of collaboration
Madeline Roycroft: Satan Jawa
ADELAIDE FESTIVAL
A work of art
Keith Gallasch: a preview of selected productions
ADELAIDE FESTIVAL
Life at the limits
Ben Brooker: Betroffenheit; Intimate Space; Wot? No Fish!!
ADELAIDE FESTIVAL
Presence and strength
Ben Brooker: Restless, Intimate Space; Gravity and Other Myths, Backbone
ADELAIDE FESTIVAL
Technique, plus and minus
Ben Brooker: Backbone, Killer Pig & OCD Love, Gala
Bold, not just older
Adam Broinowski: BOLD, The Bold Dance Festival
Supercell Dance Festival: Brisbane dances
Keith Gallasch: interview Glyn Roberts, Co-Artistic Director
;)
special features
AIDC 2017: Transcending the news cycle
Dan Edwards: Guardian Documentaries at AIDC
Documentary in a virtual, post-truth world
Dan Edwards: interview, AIDC Director Andrew Wiseman
Virtual embodiment, real empathy
Dan Edwards: VR+ Day, Australian International Documentary Conference
;)
performance
SYDNEY FESTIVAL 2017
More than a bio-opera
Keith Gallasch: Sydney Chamber Opera, Biographica
PIAF 2017
Naturalism that makes space for all
Jana Perkovic: The Gabriels, Election Year In The Life Of One Family
PIAF
Beautiful failure vs fetishised perfection
Jonathan W Marshall: Lady Eats Apple; Meeting
Asia TOPA
Escape attempts
Sally Sussman: Lachlan Philpott, Little Emperors
ADELAIDE FESTIVAL
A king for our time
Keith Gallasch: Thomas Ostermeier, Richard III
ADELAIDE FESTIVAL
Degendering
Keith Gallasch: Motus, MDLSX
ADELAIDE FESTIVAL
Great Kosky, great Saul
Keith Gallasch: Barrie Kosky, Handel's Saul
ADELAIDE FESTIVAL
Sights Unseen
Virginia Baxter: Volker Gerling, Portraits in Motion
A barbarian's right to difference
Renée Newman: Jo Randerson, Banging Cymbal, Clanging Gong
Another side of Mary
James Whiting: The Testament of Mary
AUDIO: A dangerous beast
Keith Gallasch: interview, Kip Williams, director, Chimerica
Crisis face to face
Keith Gallasch: preview, Powerhouse Youth Theatre, Tribunal
Into the internet's black holes
Lauren Carroll Harris, zin, The internet is where innocence goes to die and you can come too
Iran onstage
Megan Garrett-Jones: 35th Fadjr International Theatre Festival
Shifting gravity's centre
Julie Vulcan: Venice International Performance Art Week
The future is almost here
Caroline Wake: Sydney Theatre Company, Chimerica
Time for a reckoning
Ben Brooker: interview: Verity Laughton, Long Tan
Undoing imagination
James Whiting: Opera Australia, King Roger
WOMADelaide 2017: Saving the musical mind
Ben Brooker: interview, Roysten Abel, Manganiyar Classroom
;)
dance
SYDNEY FESTIVAL 2017
Dance is the game
Keith Gallasch: Form Dance Projects, Champions
SYDNEY FESTIVAL 2017
Dancing new lives
Keith Gallasch: EkosDance Company: Cry Jailolo; Balabala
ASIA TOPA
Curiosity, clouds, release
Andrew Fuhrmann: interview: Ho Tzu Nyen, Anouk van Dijk, ANTI—GRAVITY
ASIA TOPA
Model dirty dancing
Sally Sussman: The Red Detachment of Women
Privacy & protest
Jodie McNeilly: Craig Bary, In Difference
Unanticipated moves
Kathryn Kelly: Supercell Festival of Contemporary Dance
;)
visual arts
SYDNEY FESTIVAL 2017
Beyond sadness
Katerina Sakkas: Myuran Sukumaran, Another Day In Paradise
Gold Coast new art momentum
Kathryn Kelly: The Walls, 2017 program
Hearts beating as one
Andrew Harper: Colloquy of Hearts
Inner & outer light
Amelia Winata: Ash Keating, Gravity System Response
;)
sound/music
SYDNEY FESTIVAL 2017
Remarkable musics
Keith Gallasch: five concerts
MONA FOMA
Music's ever evolving electronics
Chris Reid: Electronic music at MOFO
ADELAIDE FESTIVAL
Scoring conciliation
Chris Reid: Chamber Landscapes, L'Orfeo, Eighth Blackbird
Lloyd Cole: the interacting synthesiser
Chris Reid: Lloyd Cole, Identity vs Noise: 1Dn
;)
+onscreen
film & screen culture
The sweet smell of jalebi
Kirsten Krauth: Garth Davis' Lion
Women's film festivals: breaking the mould
Lauren Carroll Harris: interviews, For Film’s Sake, Melbourne Women in Film Festival
;)
+onscreen media arts
Nam June Paik: bad video, poor performance
Philip Brophy, 10th Anniversary Retrospective of Nam June Paik
Wynscreen: video art for those in transit
Lauren Carroll Harris, interview, doeanddoe (Beatrice Chew, Su-An Ng)
