performance
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dance
Company without space, company in between spaces
Visiting UK writer, Sophie Hansen, responds to new media performances by Melbourne’s Company in Space
Enabling dance
Anne Thompson talks to Sally Chance of Adelaide’s Restless Dance Company
Heretics and heritage
Amanda Card in defence of dance independents: Green Mill 1997 and PICA’s Dancers are Spaceaters
New place, old myths, new perceptions
Julia Postle surveys more dance at Canberra’s Festival of Contemporary Arts: Spontaneous Combustion, Visions 7…97, and Canberra Choreographic Centre
Not about disability
Zsuzsanna Soboslay sees Britain’s CandoCo dance company
Shopping and touching
Erin Brannigan on dance at Canberra’s Festival of Contemporary Arts: To the Wall and Laya
The history of our dancing bodies is becoming hot
Eleanor Brickhill on what recent dance in Sydney says about independents
visual arts
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sound/music
no content
+onscreen
film & screen culture
no content
+onscreen media arts
(In)forming the nation on the goat tracks of the virtual community
Christina Spurgeon on the implications of the launch of the Department of Communications and the Arts’ Artsinfo website
At the intersection of politcs and poetics
Julianne Pierce immersed in the screens at documentaX
Barroom fantasias
Deane Kiley does Digita at Melbourne’s Cyber-Fringe Binary Bar
bit.depth
Loving your Mac and losing it: Jonathon Delacour
From the dusk of celluloid and the dawn of digital
SIN’s Metalux program inspires Paul Andrew
The two cultures re-animated and perverted
Darren Tofts interrogates two key events at the Interact Asia Pacific Multimedia Festival in Melbourne
Three New Media Arts Fellowships announced
Linda Dement, Stephen Jones and John Gillies to realise major projects