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performance
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dance
Perth Festival 1998
Festival junkie: immersion and withdrawal
Sarah Miller inhabits performance and dance at the Festival of Perth
Adelaide Festival 2000
Sacred documents
Linda Marie Walker: I Was Real–Documents, Saburo Teshigawara & KARAS
Adelaide Festival 1998
In the folds of thought
Linda Marie Walker: Who’s Afraid Of Anything?, Junko Wada/Hans Peter Kuhn
Adelaide Festival 1998
Is there no rest/There is no rest
Linda Marie Walker: La Tristeza Complice, Les Ballets C de la B and Het Musiek Lod
Adelaide Festival 1998
To enter and exit
Richard Murphet: Festival Forum, Design; Songs of the Wanderers, Cloud Gate Dance Company; Le Pouvoir/Snakesong, Needcompany
Adelaide Festival 1998
What I have written
Virginia Baxter: Haunted Daunted and Flaunted, Wendy Houstoun; Jenny Holzer; Artists Week Keynote Address
Chunky Move, Wet & Bonehead
RealTime
Dress, Shelley Lasica
RealTime
Motives for movement
Eleanor Brickhill records Rosalind Crisp’s Omeo Dance Project
One step ahead
Sophie Hansen interviews Adelaide Festival guest Wendy Houstoun in London
Physical diffusions
Zsuzsanna Soboslay Moore reviews Twelve Seas and talks to choreographer Gary Rowe
Various gravities
Keith Gallasch looks at the physical in new work from Meryl Tankard’s ADT, Gravity Feed and Legs on the Wall
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visual arts
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sound/music
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+onscreen
film & screen culture
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+onscreen media arts
A digital silence
Martin Walch in bed with Pillow Songs
Cultural windows
Mike Leggett reports on emerging film, video and digital technology in Hong Kong
In the mix
Keith Gallasch at Voice Jam & Videotape, Adelaide Festival
The archaeology of the interface
Darren Tofts applauds a new book demythologising interface history
The body interrogated
Kathy Cleland is eXXXamined at Artspace
The Sillywood invasion
Paul Brown, an artist in wonderland at SIGGRAPH 97
Virtual architecture
Diana Klaosen takes a sound journey through urban space
Virtual encounters
As part of the Adelaide Festival, ANAT celebrates its 10th birthday
Vision and invention
Diana Klaosen enjoys getting lost in Salamanca Theatre Company’s multimedia maze