performance
no content
dance
Melbourne Festival
Full throated ease
Zsuzsanna Soboslay Moore, Ballet Preljocaj, Romeo et Juliette, A Matter of Breath & Into The Volcano, Elision Ensemble
Melbourne Festival
The limits of limits
Philipa Rothfield, Streb, Trompe l’Oeil, Nederlands Dans Theater III, Romeo et Juliette, Ballet Preljocaj, Fleshmeet, Chunky Move, Trial by Video, Company in Space
Brisbane Festival
Intersecting performance paths
Kerrie Schaefer, including Attitude, Expressions Dance Company and Hong Kong City Contemporary Dance Company
A dance place for the future
Sophie Hansen traces the history of an astonishing London contemporary dance institution
One Extra, Territory
Keith Gallasch
Piece for the wicked
Tony Osborne seduced by the intimacy of Sue Peacock and Bill Handley’s Watershed at Artrage
Shakespeare's pillowslips
Philipa Rothfield, Zsuzsanna Soboslay Moore
Spiralling force
Martin Walch sees Avanti, Hobart’s new intermedia performance group
visual arts
no content
sound/music
no content
+onscreen
film & screen culture
no content
+onscreen media arts
Collision courses
Esta Milne negotiates maps and other metaphors in Viruses and Mutations
Finnish shortcuts
Melinda Burgess—new media tourist in Finland
Future (in)human: becoming third nature
McKenzie Wark reviews Darren Tofts and Murray McKeich’s Memory Trade: A Prehistory of Cyberculture
Net art and the argument for critical decompression
Letters
New hierarchies, new colonies
Linda Carroli and JM John Armstrong look at MAAPing in Brisbane’s new multimedia festival
Shows and sideshows in the new museum
Mike Leggett moves through site-time-media-space at a Museum of Sydney seminar
Writesites
Kirsten Krauth looks at hyperfiction on the net