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realtime 33

Oct-Nov 1999

editorial

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festivals

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special features

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performance

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dance

Amplification
Philipa Rothfield

Behind the eye
Sandra Parker talks about her new collaboration with Margie Medlin

Cyberistic power and human frailty
Eleanor Brickhill joins the dots in new works from Shelley Lasica and Chunky Move

Dance fix
Keith Gallasch at Nepean Dance’s Cynosure

Motion picture mission
Dance Screen in Europe captures Erin Brannigan

Neither awake nor asleep
Philipa Rothfield: Helen Herbertson, Delirium

No vacancy
Tony Osborne’s POV on a new approach to new dance

Take me dancing
Philipa Rothfield in London

The body rests, the dream in frantic
Wim Vandekeybus unsettles Aleks Sierz in Italy

The enemy/other within
Jonathan Marshall at the Mixed Metaphor season at Dancehouse

The works
Robyn Archer announces the second instalment of her 2000 Adelaide Festival



visual arts

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sound/music

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+onscreen
film & screen culture

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+onscreen media arts

Digital choreographies
Sophie Hansen travels through Japan’s new media Intercommunication Centre, ICC

Driving into the interior
Darren Tofts at the wheel of Martine Corompt and Philip Samartzis’ Dodg’em

New media hum
Mike Leggett enters the hive of international digital media/web artists ≈and Jane Prophet

Past projections
Martyn Jolly on multimedia in the new Australian War Memorial Galleries

Pulsing chiaroscuro, palpable decay
Grisha Dolgopolov on Anemone and the second wave of digital image-making

WriteSites
Dean Kiley interviews Hazel Smith and Roger Dean about their Intertwingling