realtime 38

Working the Screen 2000
ANAT's special alchemy
Amanda McDonald-Crowley interviewed by Keith Gallasch

Working the Screen 2000
Beyond the interface: exhibiting digital media
Kathy Cleland

Working the Screen 2000
Introduction

Working the Screen 2000
MAAP festival 2000
A preview of Australia’s digital arts festival

Working the Screen 2000
More sites, events and artists

Working the Screen 2000
Positively infectious
Cyber Cultures curator Kathy Cleland talks to Keith Gallasch

Working the Screen 2000
Redefining hybridity: CD-ROM possibilities
Mike Leggett

Working the Screen 2000
Segue, stretto, strafe & sashay
Dean Kiley

Working the Screen 2000
Something more than choreography
Company in Space’s Hellen Sky at the RealTime/Performance Space Flesh & Screen forum

Working the Screen 2000
The end of new media art?
Mitchell Whitelaw

Working the Screen 2000
Works in progress: hybrid performance
Back to Back Theatre, Beaubois, Bonemap, Felber, PACT Youth Theatre, Trash Vaudeville, The Men Who Knew Too Much

Working the Screen 2000
Works in progress: pt1 (A-G)
Adams, Armstrong, Brown, Benson, Bai, Christou, Corompt, Crooks, Gibson & Richards

Working the Screen 2000
Works in progress: pt2 (H-M)
Haig, Heyward, Hobbs with Xavier, Beames & Glaser, Lunney, Madigan, MacDonald, McLaughlin

Working the Screen 2000
Works in progress: pt3 (P-Z)
Petterd, Pryor, Rackham, Roberts. Thomas, Tonkin, Velonaki, Walch, Zebington

d>art 00: digital exceptions
Keith Gallasch

St Kilda Film Festival: digital links
Anna Dzenis

Teaching new media: aiming at a moving target
Josephine Starrs and Leon Cmielewski

The documentary goes online
John Grech & Matthew Leonard

Web convergence traps artists and consumers
Nadine Clements

WriteSites: the email liaison as novel
Esther Milne