realtime 50

RT50 Editoria:l Arts education
Sitting with ambiguity

The word on the Melbourne Festival

Education feature: training the visual artist
Art is a rigorous practice
Adam Geczy

Education feature: training the sound artist
A thrilling sono-cranial re-wire
Bruce Mowson

Education feature: training the new media artist
Managing multiple media
Mike Leggett

Education feature: training the dancer
Nice work if you can get it
Eleanor Brickhill

Education feature: training the actor
More than skills and showreels
Jane Woollard

Education feature: training for film & television
Adapt, innovate and collaborate
Alison Wotherspoon

Education feature: training for contemporary performance
A wild space
Keith Gallasch

Education feature: training for a music career
New music, new realities
Michael Hannan

Antistatic: all-in dance festival
RealTime

Choreographic design
Erin Brannigan: BalletLab, Upholster

Dancing with time's arrow
Anne Thompson: SA Dance

Eyes wide open
Virginia Baxter: ReelDance

Mysterious meetings
Teri Hoskin: Jude Walton, paralla x

Nightshift
RealTime

Pretty ugly
Keith Gallasch

Featured Artist: Michael Riley
RealTime

Host bodies of the future
Robert Cook

RePRESENTING the REAL
Virginia Baxter

SEEN: Visual Arts
Chris Reid, Daniel Palmer, Diana Klaosen, Virginia Baxter

VietPOP: a new generation speaks
Djon Mundine

Naturalised noir
Jonathan Marshall

Substantial Echoes
Jonathan Marshall

The power of compulsion
Diana Klaosen

Welcome Saariaho
Keith Gallasch

Watchdog
An Australian blindspot?
Solrun Hoaas

Disappearing the camera
Hunter Cordaiy talks to Robert Humphreys

Godard: adult concepts?
Fergus Daly and Adrian Martin

SEEN: Film
Jane Mills, Keith Gallasch, David Varga

SOON: Film
The Australian-Asian connection

The ferocious eye of Kim Ki-duk
Mike Walsh

Digital Lab: new works in development
Lisa Gye

Fusion: the body as screen
Jonathan Marshall

Helyer's progress: fusing art and science
John Potts

Techgnosis, hypnosis, osmosis
Gail Priest