editorial
festivals
2004 Adelaide Festival
Adelaide Festival 2004: Black, white and beyond
Adelaide Festival 2004: Absolute Zappa and Blood on the Floor
Chris Reid
Adelaide Festival 2004: ADT, Held
Keith Gallasch: ADT, Held
Adelaide Festival 2004: And on the Thousandth Night...
Keith Gallasch
Adelaide Festival 2004: First Night
Keith Gallasch
Adelaide Festival 2004: Gulpilil
Keith Gallasch
Adelaide Festival 2004: Marco Frascari
Linda Marie Walker
Adelaide Festival 2004: RiverlanD
Keith Gallasch
Adelaide Festival 2004: Stories from Australia
Jeremy Eccles
Adelaide Festival 2004: Triple Bill
Helen Omand
Live Bait: Boxing the monstrous
Bryoni Trezise
special features
Meta-Crash
A gigantic combusiton of forms
Anna Dzenis
Meta-Crash
A teledildonic future?
Kirsten Krauth
Meta-Crash
A-life's mysteries
Stuart Bunt on Mitchell Whitelaw's Metacreation
Meta-Crash
Collaboration or complicity?
Anna Munster
Meta-Crash
Ehtics and relatives
Jock Given on Catherine Lumby and Elspeth Probyn, Remote Control
Meta-Crash
No sex please, we're Australian
Katherine Neil on Helen Vnuk's Snatched: Sex and Censorship in Australia
Meta-Crash
Science and the fear of 20th century art
Greg Hooper on Virilio's Art and Fear & Crepuscular Dawn and Pinker's The Blank Slate
Meta-Crash
The beats go on
Seb Chan on Ian Maxwell's Phat Beats, Dope Rhymes
Meta-Crash
What cinema does
Hamish Ford
Merta-Crash
Prosthetic eye, performative camera
Mireille Juchau
performance
In for the kill
Jason Sweeney
In the web of the microcosm
Jonathan Marshall
The ambiguous power of naming
Jonathan Marshall
The Studio: eclectic and electric
Keith Gallasch talks with Virginia Hyam
dance
Dancing between two shores
Janice McEwen
Faltering Strut
Josephine Wilson: Pollit's Two Way: Room, Peacock's Give up the Ghost
Innovation as incarceration
Helen Omand: Fiona Malone, The Obcell
Permutations: sound, light, dance
Jonathan Marshall: Dance Card 2004
Words for Escape
Francesca Rendle-Short: Tanja Liedtke, Tweflth Floor
visual arts
Comic insights
Briony Downes
Ghostings
Leanne Amodeo
History's great escape
Daniel Edwards
Jeff Busby: Amplification
Virginia Baxter
Motel dreams
Sarah Quantrill
Opening the cage door
Josephine Wilson
The jewellery of place
Christine Nicholls
The library without
Bridget Currie
What next?
Sally Brand
sound/music
What is music?
Japanese underground out loud
Danni Zuvela
What is music?
Limits and leaps
Greg Hooper
New music, new champion
Jonathan Marshall
Sweet Carnage
Keith Gallasch
Tesoriero does Ferrier
Keith Gallasch
+onscreen
film & screen culture
German film now
Leonie Naughton
Growing queer screen culture
Olivia Khoo
Our very own crime wave
Rose Capp
Scott Millwood: documentary poet
Dan Edwards
The documentary: art and survival
Tom Zubrycki
The good, the bad and the alternatives
Carmela Baranowska
+onscreen media arts
Across great divides
Keith Gallasch
Are you real? Am I?
Samara Mitchell
Digital training ground
Jack Sheridan
Intelligent room with a view
Jeff Khan
Never mind the bollocks...here—The Cremaster Cycle
Jake Wilson
NMA's living exhibits
Francesca Rendle-Short and Clare Young
Transmediale 04: the art of hope
Gail Priest