back;)
editorial
;)
festivals
Singapore Arts Festival
Singapore plays its own tune
Keith Gallasch
Message Sticks
Message Sticks: Breaking the silence
Dan Edwards
Message Sticks: Blak photo power
Keith Gallasch
Message Sticks: Magical river music
Keith Gallasch
Message Sticks: Outback hip hop hybrid
Sarah-Jane Norman
;)
special features
Next Wave
Next Wave's Melbourne metamorphosis
Jeff Khan
Next Wave: Concealed and revealed
Jonathan Marshall: dance in Next Wave
Next Wave: From the everyday to pure effect
Jonathan Marshall: Dance Party, The Physical Story
Next Wave: Gender shifting, hardcore skipping
Nicola Shafer
Next Wave: Gods with toys
Jonathan Marshall
Next Wave: Hip hop theatre thrills
Nicola Shafer
Next Wave: New space, new work
Lily Hibberd
Next Wave: Shipping the goods
Lily Hibberd
Next Wave: The circus deep inside
Mary-Ann Robinson
Next Wave: Warping dreamscapes
Simon Sellars
;)
performance
Still Angela: national tour
Alaska in my freezer
Virginia Baxter talks to Jenny Kemp
Education Feature: Theatre
Education Feature: Acting—the bigger picture
Jane Woollard
Education Feature: Performance
Education Feature: The evolving performer
Keith Gallasch talks to Karen Therese
Absurdly real
Sarah Miller
Memories and micro-worlds
Sarah Neville
The deceptive art of manipulation
Sue Moss
The fun of fakery
Bryoni Trezise
Theatre of the face
Jonathan Marshall
Thinking inside the sqaure
Sue Moss
Whose happy ending?
Josephine Wilson
;)
dance
Education Feature: Dance
Education Feature: In the bones...
Eleanor Brickhill
Between violence and the inviolable
Zsuzsanna Soboslay: Wendy Morrow, Blue (excerpt)
Bodies of meaning
Melinda Rose Jewell: Rakini Devi, Kali Yuga
Dancing the labyrinth
Richard James Allen: Sue Healey, Fine Line Terrain
Embracing profusion
Eleanor Brickhill: De Quincey Co, Embrace: an immodest green
Fast tracking young NT dance
Joanna Barrkman: Tracks, FAST
Muderous perspectives
Eleanor Brickhill: Jason Pitt, Inasmuch
Restless men
Helen Omand: Restless Dance Company, Laminex Man and Starry Eyed
The body always tells
Linda Marie Walker: Australian Dance Theatre (ADT), Ignition 5
The interactive dancer
Leah Mercer: Chrissie Parrott, Dis-Patch
;)
visual arts
Education Feature: Visual Arts
Education Feature: Reciprocal relations and the art of the possible
Su Baker
Biennale of Sydney
Bad feelings, sporadic beauties
Jacqueline Millner
Another way to be
Ian MacNeill
Asian traffic: redirecting the flow
Chris Reid
Curiouser and curiouser
Zsuzsanna Soboslay
Envisioning a new education
Tamara Winikoff
Video: medium of the moment
Rachel Kent
;)
sound/music
Education feature: Sound
Education Feature: Circuitous journeys
Gail Priest
Education Feature: Music
Education Feature: Career options and job tracking
Helen Lancaster
'Burb superstars
Keri Glastonbury
Glittering notes, winning awards
Keith Gallasch
Grand music of the horse opera
Keith Gallasch
New aural adventures
Keith Gallasch
Offspring's birthday offering
Michael Hooper
;)
+onscreen
film & screen culture
Sydney Film Festival
Sen's shifting "I"
Simon Enticknap
Education Feature: Film
Education Feature: The intricate making of animators
Simon Sellars
Animating war
Dan Edwards
Animation: potential or impasse?
Rebecca L Stewart
Somersault: beauty and turmoil
Dan Edwards
St Kilda FIlm Festival: short, not sweet
Rose Capp
WA shorts: the narrative challenge
Felena Alach
;)
+onscreen media arts
Education Feature: New Media Arts
Education Feature: Well taught, self-taught and still learning
Anna Davis
Asia-Pacific: new media exchange
Amanda McDonald Crowley
BEAP 2004: Perth—digital city
Keith Gallasch
Ciber@rt, Bilbao: casting a wider net
Maria Miranda
Depression: the art cure?
Paul Brown
Electrofinge 2004: Replicate, automate, infiltrate
Media beyond The Media
Andrea Baker
Novamedia: an Australian first
Lisa Gye
Selling subversion
Lizzie Muller
The limits of vapourware
Mitchell Whitelaw
The public face of online interaction
Lizzie Muller
Video challenges: fury and reflection
Keith Gallasch
You are here. But where is that?
Sophea Lerner
