back;)
editorial
Farewell Bowie
Performance Space Director Fiona Winning farewells production manager and lighting designer Ian Bowie.
;)
festivals
Melbourne International Arts Festival
Chance, dance, animals & the unconscious
Philipa Rothfield
Melbourne International Arts Festival
Ngapartji, Ngapartji: sharing language
Rachel Maher
Melbourne International Arts Festival
Songs beyond words
Chris Reid is seduced by a song cycle
Melbourne International Arts Festival
The digital hurricane data dance
Tony Reck on the Ryoji Ikeda experience
Melbourne International Arts Festival
The medium is the audience
John Bailey
Melbourne International Arts Festival
Walking the imagination
Barry Laing encounters Lone Twin
Artrage Festival
All-in dancing
Geet Frank
Artrage Festival
Art on the skyline
Geet Frank
Artrage Festival
Cycles, overlaps, intersections
Thea Costantino
Artrage Festival
Dancing north-south
Nyanda Smith
Artrage Festival
SEX: slippery viewing
Anna Kesson
North Queensland: fuelling the art mix
Justine Wilkinson & Stephen Naylor at See Hear Now
;)
special features
Finding the post-Rationalist audience
Jeremy Eccles meets US cultural facilitator, Jerry Yoshitomi
Talking up change
Keith Gallasch on the Doyle, Marr and Terracini lectures
The Dramaturgies project
Peter Eckersall, Paul Monaghan and Melanie Beddie
;)
performance
All in the re-telling
David Williams on performing oral history
An enabling epic
David Williams sees Angels in the Architecture
Classic incursions
John Bailey on new works from Eleventh Hour
Life: no rehearsal
Keith Gallasch
Newcastle: cars drive cultural pace
Kerrie Schaeffer in the back seat at L!vesites
Perceptual adjustments
Philipa Rothfield on performer Sharna Vrhowec
Re-genesis
Stephen Whittington sees a bold Adelaide venture
;)
dance
Depression's ambiguities
Eleanor Brickhill: Clare Dyson, Churchill’s Black Dog
Installation dancing
Mike Leggett at the Reel Dance Installations
Lateral moves
Philipa Rothfield: Lucy Guerin Inc, Pieces for Small Spaces
Mature, independent dancers seek context
Eleanor Brickhill talks with Wendy Morrow
;)
visual arts
A cultural gateway
Therese Sweeney talks with Bronwyn Bancroft
A spark in the dark
Keith Gallasch
At work with artists & audiences
Jacqueline Millner talks with the MCA’s Elizabeth Ann Macgregor
Bringing it home
Keri Glastonbury on the Fiona Hall-Fiona MacDonald collaboration
Exquisite banalities
Eleanor Brickhill at home with Lewis and Linz
Living dolls and sentient wheelchairs
Keith Gallasch
Sculpted: conscience and consciousness
Zsuzsanna Soboslay on the National Sculpture Prize
The spiralling dance of survival
Virginia Baxter
Warning from above
Deborah Kelly’s new work takes to the skies
;)
sound/music
Making machines that make music
Dean Linguey interviews Ernie Althoff
New home, new sounds
Keri Glastonbury visits the Pelt sound art gallery
Sound arts and the living dead
Nigel Helyer aka Dr Sonique challenges laptop sound art
Totally Huge: knots and flames
Gail Priest
Typhoon: fine tuned turbulence
Keith Gallasch sees sound art at Artspace
;)
+onscreen
film & screen culture
Australian feature films: where we are now
Sandy Cameron surveys film awards nominees and others
Australian Western: Fear on the frontier
Dan Edwards considers The Proposition
David Perry: moving image artist
Danni Zuvela talks to an experimental film pioneer
Kiss the beast and make it cry
Linda Carroli on Brisbane’s new cinematheque
The courage to go cross-media
Karen Pearlman on the LAMP initiative
Time: endured and endurig
Jena Woodburn on Tatsuo Miyajima at CACSA
Turkish films and festivals: Glancng eastwards
Catherine Simpson
;)
+onscreen media arts
Abstraction. Sick.
Darren Tofts
Book review: A potent internet pre-history
Esther Milne
Digital wearables: fashion & control
Julianne Pierce on the biggest commercial digital media show
Evocative objects, strange selves
Lizzie Muller at Experimenta’s Vanishing Point
New media art: Omigod! It's alive!
Keith Gallasch
The future makers
Lizzie Muller seeks out South African new media art
