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editorial
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festivals
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special features
Theatre: Edinburgh & Berlin
Two ways of looking at Blackbird
Daniel Schlusser
Performance art: talked through but not out
Eileen Legaspi-Ramirez
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performance
Brisbane ladies: explosive icons
Leah Mercer
Clown's eye view
Doug Leonard
Intuiting change
John Bailey
Journey into the unexpected
Bryoni Trezise travels to Urban Theatre Projects’ Back Home
Metaphysics in the mundane
Paul Monaghan finds meaning in the shed
Out-of-body performance
David Williams at a conference on mediatised performance
Playing father
Nicola Shafer
The dance of living and dying
Keith Gallasch witnesses communication/failure
The doom complex
David Williams on PACT prophesy & politics
The rise and rise of live art
Anneke Jaspers at Performa 05, New York
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dance
Adelaide Festival
Dancing, prosthetically
Sophie Travers on Random Dance, UK
Adelaide Festival
garry stewart: dance evolution in the age of robotics
erin brannigan, adt's devolution, rt71
Movement study, dance magic
Eleanor Brickhill
Research & sustainable dance
Keith Gallasch talks with Critical Path’s Sophie Travers
The monstrous feminine, Japanese-style
John Bailey
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visual arts
Defying perceptual passivity
Dominique Angeloro encounters Derek Kreckler’s latest work
Mark Brown: Re-working site-specificity
Jasmin Stephens
Protesting tyranny, testing the law
Bec Dean on an art event challenging the new sedition laws
Visual currency in Cairns
Russell Milledge on 3 Northern Queensland artists
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sound/music
Ghost sounds: Philadelphia, Paris, Fremantle...
Jonathan Marshall
Gifts for the giver
Michael Hooper on the Nigel Butterley 70th birthday concerts
New horizons for audio-visuality
Joel Stern writes from and performs at Transacoustic, New Zealand
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+onscreen
film & screen culture
Preview: Mardi Gras Film Festival 2006
Mapping queer culture now
Keri Glastonbury
Dylan's 60's revisted.
Dan Edwards
Expanded cinema: the curators' vision
Danni Zuvela, Joel Stern & Sally Golding
RAN: inter-cultural exploration
Keith Gallasch on a breakthrough Australian TV series
Sydney’s first Latin-American Film Festival
The reality and the documentary
Carmela Baranowska
Wrestling with Resfest
Jean Poole
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+onscreen media arts
A grand tour of Australian media art
Lizzie Muller interviews Darren Tofts
Cutting out the middleman, Dr Frankenbott?
Kate Vickers on the ethics & future of bio-robotic art
Housing the virtual, the radical, the displaced.
Danni Zuvela on alternative art venues in Brisbane
In Beijing and Chongqing people say...
Iain Mott on working collaboratively in China
Interactivity in performance: art as research
Mike Leggett attends WISP
Media arts: reflections for the future
Mike Legget
