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editorial
;)
festivals
Next Wave
Cowboys & crowds
Philipa Rothfield at Next Wave dance
Next Wave
Minus the special effects
Christian Thompson encounters Next Wave Mind Games
Next Wave
Taken to the streets
Dan Mackinlay mit map tracks Next Wave’s public art
Next Wave
The power of intimacy
John Bailey is impressed by the next wave of performance
Brisbane Festival
Something for everyone, and more
Jeremy Eccles on Lyndon Terracini’s big picture Brisbane Festival
Fire and blood—Indonesian performance art
Jan Cornall at Perfurbance#2, Jogjakarta
shopping & th**king
Barbara Bolt shops at spat & loogie’s new!shop
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special features
no content
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performance
New media consolations
Stephen Carleton at The Physics Project
Surrealism's progeny: grim beauties
Emma McRae witnesses an international performance collaboration
The light at the end of a long tunnel
Keith Gallasch on Sydney Performance
The luminous nightmare of Marius von Mayenburg
Keith Gallasch talks with Benedict Andrews, director of Eldorado
The time being
Neal Harvey inspects Circa’s Timepieces I-IV
We who get slapped
Douglas Leonard at The Clown from Snowy River
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dance
Between frottage and horseplay
Jonathan Marshall at Perth’s Strut 06
Obsessed with the fold
Sophie Travers talks to BalletLab’s Phillip Adams
Solo power: recharged, refocused
Erin Brannigan talks with Brian Lucas
The slippery path
Erin Brannigan follows choreographer-filmmaker Sue Healey’s creative journey
Weightless watchers
John Bailey has a new experience of dance in Simon Ellis' Inert
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visual arts
Berlin: art, technology, mice and men
Michael Connor at the 4th Berlin Biennial and The Treasures Project
Dark flowering
Sasha Grbich is seduced and disturbed by Bloom’s beauty
Growing art, shaping perception
Diana Klaosen at Hobart’s Inflight
How the time flies
Sven Knudsen on Rebecca Horn’s lo-tech innovations
Into the void
Briony Downes finds something more than Apparently Nothing
Off the wall
Greg Moore steps into CCAS’s hybrid nights
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sound/music
Acoustic essences
Gail Priest experiences Mistral at Artspace
Alchemical pianism
Michael Hannan listens to Lisa Moore play in Byron Bay
Art & empathy: music & murder
Keith Gallasch talks with composer Andrée Greenwell
Head music, hard splatter
Jonathan Marshall at Club Zho
Hear and now: Terry Riley in Australia
Greg Hooper
Memories of buildings and other ghosts
Stephen Jones remembers What Survives
The apocalyptic interior
John Bailey at Chamber Made Opera’s corRUPTION
The music that dances
Keith Gallasch welcomes the Sonic Art Ensemble
The rich yield of the law of the minimum
Artistic director Daryl Buckley talks to Keith Gallasch
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+onscreen
film & screen culture
A telling silence
Dan Edwards on ABC TV’s continuing struggle with drama
Competeing addictions: love and heroin
Anna Zagala on the Candy experience
Documentaries to go
Catherine Gough-Brady on delivering film by phone
Emerging Chinese Cinema
Mike Walsh at the 2006 Hong Kong Film Festival
Experimental film: obits exaggerated
Jim Knox at the OtherFilm Festival, Brisbane
Inhabited by images and sounds
Tim Welfare talks with visiting Lebanese video artist Akram Zaatari
Meticulous compositions in time
Dan Edwards on the cinema of Jean-Pierre Melville
Playing by the rules
Sandy Cameron reviews Ten Canoes
Revelation 2006: the global view
Pip Christmass talks to festival director Richard Sowada
The body in the body of work
Ben Convey on David Cronenberg's defiance of genre
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+onscreen media arts
Art machine evolution
Mike Leggett
As happy as a pig in art
Darren Tofts talks dirty with artist Ian Haig
Digital dialectics
Samara Mitchell
Nurturing media art in the regions
Gail Priest surveys some of the emerging producers from the EPIC program
Play for fun, play for enlightenment
Experimenta Under the Radar tours to the UK
The art of performance: online and alive
A conversation between Barbara Campbell and Cynthia Troup about 1001 nights cast
Transdisciplinary publishing
Lisa Gye reports on the Hard Copy forum
Women whisper secrets
Virginia Baxter on gins_leap / dubb_speak
