realtime 93

editorial rt93

in the loop
realtime news and advance word

on edge
elegy for the land
victoria carless: zane saunders, blueprint

on edge
fish-bowl dreaming
kate cooper: bonemap, whispering limbs

on edge
never too far away
keith gallasch: on edge, cairns

made by the land
jeremy eccles: garma festival, north east arnhemland

mime, new generations
keith gallasch: chuncheon international mime festival, korea

a monument of dancing bodies
tank man tango: a tiananmen memorial

here be dragons
gavin findlay: canberra performance then and now: part 1

look back, move forward, cross borders
rebecca conroy: contemporary indonesian performance

risky theatre at risk
andrew templeton: vancouver theatre

online exclusive
westralia fantasia
urszula dawkins: heart of gold, pica

building capacity, growing culture
keith gallasch: chris mead, playwriting australia

darwin celebrates darwin
jane hampson: origins, darwin, northern territory

fractured selves
douglas leonard: lisa o’neill; genevieve trace & kieran law

hyperrealism in overdrive
tony reck: bird on fence at st martins youth arts centre

indigenous & cosmopolitan
keith gallasch: interview, rachael swain, burning daylight

more than a walk in the park
alexandra crosby: back to back theatre’s tour guide

signatures and signalling
john bailey: performance at arts house, melbourne

violations: sex, history, form
keith gallasch: recent sydney performance

online exclusive
away from the studio, towards the gallery
chirstinn whyte: johanna billing, arnolfini

controlled release
carl nilsson-polias: balletlab’s miracle

dance building
erin brannigan: campbelltown arts centre dance program

dancing heavy metal
pauline manley: de quincey company, run - a performance engine

dancing up the apocalypse
sophie travers: chunky move, damien jalet, erna omarsdottir

many abled bodies
zsuzsanna soboslay: ql2, select options, canberra

purist, improvisor, shape-shifter
sophie travers: interview, dancer-choreographer antony hamilton

romance: excavated & mutated
jonathan bollen: australian dance theatre’s G

online exclusive
retooling modernist tropes
darren jorgensen: dominic redfern, pica

online exclusive
the edge of reality
bec dean: reality check: watching sylvania waters

capitalism’s ups and downs
urszula dawkins: marcus canning, wienie collapses

new growth, new directions
josephine skinner: primavera 2009, museum of contemporary art

obituary: emil goh, 1966-2009

history by the history-makers
stephen adams: book review, experimental music

listening for change
jared davis: reflections on liquid architecture 10

music like speech
chris reid: elision in session, melbourne

music that needs to be seen
chris reid: soundstream adelaide new music festival

new meets new
gail priest: solo perspective 2 and golden fur

seeing, hearing, believing
keith gallasch: concerts, topology and halcyon

online exclusive
outside the western box
danni zuvela: the view from elsewhere, GoMA

online exclusive
rewind, recall, recover
kirsten krauth: bentley dean & martin butler, contact

chronicles of the blank generation
darren tofts: richard lowenstein’s we’re livin’ on dog food

documentary: art and truth
catherine gough-brady: documentaries, melbourne film fesitival

keeping the (on)line open
ross harley: open video conference, new york

layers of history & filmmaking
catherine gough-brady: john hughes and the film essay

mothers and children
kirsten krauth: ana kokkinos, blessed

the fruits of intervention
bernadette ashley: emerge’s screengrab, townsville

the great filmmaking escape
summer school in filmmaking, melbourne university

the story of a story
keith gallasch: beck cole, the making of samson and delilah

the wow factor
virginia baxter: the world of women film festival

tokyo haze
gail priest: kenta mcgrath’s three hams in a can