Split, Riva, criss cross, 2014 photo Peter Volich |
Reason for travelling
In 2011-13 I lived and worked in a remote Aboriginal community called Fregon, located in the Anangu Pitjantjatjara Lands (APY) of central Australia. I put my arts practice on hold and managed an art centre. Learning the language and some of the Pitjantjatjara customs made me question my own ancestry. After my father's passing in 2013 I decided to retrace my own family ancestry and visit Croatia, at that stage purely as a tourist. Luckily for me I met my future husband and decided to relocate to Split, Croatia and start up my photographic practice again.
Peristil, Diocletian Palace, 2014 photo Peter Volich |
Game of Thrones meets Paradise
Split is the second largest city in Croatia and the main port on the Dalmatian coast bordering the Adriatic Sea with its breathtaking islands. Split is steeped in a complicated but intriguing history. The old town and the major tourist draw card for Split is the Diocletian Palace built in 305 AD. The UNESCO listed palace consists of meandering alleyways, stone villas and many churches. Since the construction of the palace there have been architectural additions through the Medieval, Gothic, Renaissance and Baroque periods.
It is interesting to note that Split has archaeological findings that date back to the Ancient Greek colony of Aspálathos in the 4th century BC, which means that Split has been inhabited by Ancient Greek, Roman, Illyric, Venetian, Ottoman and Austrian/Hungarian Empires as well as Slavic tribes. Once you have been here you can understand why so many battles have been fought for the tiny piece of coast. The history of conflict in Split reads like something out of Game of Thrones, which is quite fitting seeing that the fourth season of the series was recently filmed within the old palace and neighboring village of Klis.
Split, Riva 1) Balloons 2) Christmas hut, 2013 photo Peter Volich |
St. Duje, Diocletian Palace 2014 photo Peter Volich |
Split, in pictures
In my new work, Vukojebina (where wolves go to f$%&) I have created a portrait of Marjan Hill, interweaving both real and imagined story lines. Marjan Hill has been preserved as a site for recreation since the Diocletian Palace was built. For centuries the people of Split have enjoyed its beaches, forests and breath taking views of this peninsula of Split and surrounding islands.
The photo series takes inspiration from the local zoo located on Marjian Hill, spirit photography and photographic collage used in personal diaries and scrapbooks in the late 19th century. During summer the coastline of Marjan Hill is crammed with locals and tourists. The crystal blue water of the Adriatic sea carries ferry after ferry of tourists to the surrounding islands. After October, when the bura (winds) brings in the icy temperatures from the North, all the tourists leave, the coastline becomes desolate and life returns to normal for the locals. But this also means that many of the beachside bars, hotels and cafes close down. Everything is put on hold until the following spring when the frenetic tourism trade returns again like a circus.
Vukojebina (where wolves go to f%&$#), 2014 photo Peter Volich |
Vukojebina (where wolves go to f%&$#), 2014 photo Peter Volich |
Vukojebina (where wolves go to f%&$#), 2014 photo Peter Volich |
Vukojebina (where wolves go to f%&$#), 2014 photo Peter Volich |
Pete Volich is a Photomedia artist living and working between Split, Croatia and Perth, Australia. He has worked at numerous arts organisations in Australia including Kaltjiti Arts, Queen St Studio for Fraserprojects, Museum of Contemporary Art, Performance Space and artist assistant to Isaac Julien in London
Related articles
Activating art spaces
Gail Priest: Sam Chester, James Winter Queen Street/Fraserstudios
RealTime issue #91 June-July 2009 p21
RT Traveller: Sarajevo, Bosnia & Herzegovina
Taveller: Kym Vercoe, performer
RT Online 6 March, 2012
© Peter Volich; for permission to reproduce apply to [email protected]