RealTime January 2016

(above) Image from Romeo Castellucci’s Go Down, Moses, Adelaide Festival 2016, photo Guido Mencari

When you last saw us, we were still in print and, on our cover, heading into Romeo Castellucci’s Go Down Moses MRI apparatus (Adelaide Festival, 25-28 Feb). Now, we’re coming to you from deep inside the machine, going entirely digital with classic RealTime reviewing, increased commentary, new features. Come with us! As a subscriber, you’re part of RealTime. By spreading the word about our new weekly E-ditions, you’ll encourage increased support for Australia’s remarkable innovating artists in challenging times. - Virginia & Keith

INDIGENOUS DANCE: DANA WARANARA
January 27 2016
A conference for irrevocable change
Angharad Wynne-Jones

A momentary wondrous artefact
Andrew Fuhrman: Chunky Move - Atlanta Eke, Miss Universal

YES, POLITICS
Art versus the war against Nature
Sumugan Sivanesan: Climate Games Paris, 2015

Carry On Culture Wars
Keith Gallasch: Catalyst - The Fifield Fund

INDIGENOUS DANCE: DANA WARANARA
Dana Waranara—Privilege and Responsibility
Andrea James

Dance, not product, but living culture
Vicki Van Hout

INDIGENOUS DANCE: DANA WARANARA
January 27 2016
Dancing to the Dana Waranara challenge
Liza-Mare Syron

YOURS FOR THE TAKING
Giveaway: Gayby Baby DVD

SYDNEY FESTIVAL
Magic in detritus
Virginia Baxter: Geoff Sobelle, The Object Lesson

ON THE DOX
Oppression & the two sides of the digital coin
Dan Edwards: Jafar Panahi’s Tehran Taxi

Percussion: the beating heart of art
Delia Bartle: Mofo 2016

THE LOOP
January 27 2016
Sideshow Circus Magazine
Skye Gellmann

SYDNEY FESTIVAL
The thrill of a cut-above festival
Keith Gallasch: Passion, Woyzeck, Meow Meow’s Little Mermaid, Double Blind

This is how we might live, and die
Teik-Kim Pok: Forced Entertainment; Christopher Brett Bailey