Traces of the (in)visible and uncanny Elizabeth Drake is immersed in a sound/cinema work by Philip Samartzis
http://www.realtimearts.net/magazine/32/5024
A meta-world of watchfulness Diana Klaosen on a new media residency on Bruny Island, Tasmania
http://www.realtimearts.net/magazine/31/4992
Relaxed, but engaged? Samara Mitchell queries audience positioning at bergbau a techno spectacle in Adelaide
http://www.realtimearts.net/magazine/31/4966
Virtual architecture Diana Klaosen takes a sound journey through urban space
http://www.realtimearts.net/magazine/24/4190
A digital silence Martin Walch in bed with Pillow Songs
http://www.realtimearts.net/magazine/24/4188
Out of the box Sophea Lerner reflects on sound and computing after ICAD ’97
http://www.realtimearts.net/magazine/23/4203
North to Cyberia John Potts reports on the Fifth International Symposium on Electronic Arts (ISEA) held in Helsinki
http://www.realtimearts.net/magazine/3/6476
Earwitness News Annemarie Jonson previews Sound Studio, Sydney and
Earwitness, Experimenta, Melbourne
http://www.realtimearts.net/magazine/3/6475
Experimenta 1994 Colin Hood previews this years event and talks with director Peter Handsaker
http://www.realtimearts.net/magazine/3/6474
Night work Keith Gallasch, Embodied Media, Night Rage
http://www.realtimearts.net/feature/ISEA2013/11203