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Rapt, Dance on Camera Festival 2007 © the artists |
RealTime has published reviews of individual films and installation exhibitions, coverage of local and overseas festivals, profiles on major new media/science projects in the field, and interviews with leading artists. In so doing, it has helped establish dance screen not only here in Australia, but internationally. As both a writer and curator in this field I appreciate the rigorous discussion RealTime has encouraged on dance screen and the regularity of commissions and comprehensiveness of the coverage. Festivals and related institutions provide links to RealTime on their websites and it has thus become a significant resource for collecting and exchanging information.
More importantly, RealTime has progressed debates on a form that is morphing much more rapidly than often lumbering theoretical discourse. Along with English language critical activity in the 80s in the US and the UK in the 1990s, this archive represents a concerted effort to develop and circulate writing on choreography and the screen, and joins the work of Opensource [videodance] in the UK and Screendance conferences at Duke University in the US in providing a platform from which things can progress.
Major festivals such as the Austrian-based IMZ Dance Screen, Moves in Manchester, Dance on Camera in New York and iDN in Barcelona form the backbone of this archive as these festivals and their committed directors have really advocated for, and framed the parameters of, this slippery interdisciplinary form. Significant space is also given to Australia’s ReelDance Festival with coverage from a broad variety of writers. Also important are interviews with key artists such as UK-based David Hinton and Gina Czarnecki, New Zealander Daniel Belton, and Australians Margie Medlin, Gideon Obarzanek and Sue Healey. These in-depth discussions provide an invaluable resource as case studies for inclusion in teaching and learning about the form.
While the archive includes articles written by experts in this field such as the UK-based artist and curator, Chirstinn Whyte, this body of writing also represents the work of many emerging, local writers who tackle this interdisciplinary relative of dance, providing critical feedback for Australian artists and curators.
Erin Brannigan
reeldance festival
dancefilm: making choices
karen pearlman: 2010 reeldance awards
tears in time
virginia baxter: reeldance installations #04
between space, people & camera
jane mckernan: interview, tracie mitchell, reeldance festival
judging the body-media meld
pauline manley: reeldance festival awards
forsythe, bausch, platel...
martin del amo: contemporary dance on screen
global shorts: music: dance: image
jodie mcneilly
global shorts, this dancing life
jane mckernan
global shorts, the art of moving
ashley syne
reeldance festival awards
pauline manley
reeldance festival: contemporary dance on screen
martin del amo
reel-dancing: the 5th reeldance dance on screen festival
realtime
magic dance patterning
keith gallasch: reeldance installations #03
dance cinema, cinematic dance
karen pearlman: 2006 reeldance finalists
installation dancing
mike leggett: reeldance installations #02
reeldance: the dance-cinema hyrid
karen pearlman: reeldance 2004
eyes wide open
virginia baxter: reeldance festival 2002
moves festival, uk
from screen dance to screen based
christinn whyte: moves10, liverpool
screendance 2.0 is with us
chirstinn whyte: moves09, manchester, uk
multiplying screens & means
chirstinn whyte: moves08, manchester, uk
post-dance, everything is choreographic
chirstinn whyte: moves07, manchester, uk
reviews and articles
tanja liedtke: in the accumulation of traces
justine shih pearson: life in movement
dance, animation & other realities
realtime: physical tv, entanglement theory
reframing the dance screen
chirstinn whyte: dance for camera, brighton, uk
investing in dance screen
justine shih pearson: empac and dance on camera, new york
the challenge: teaching dance on screen
erin brannigan: take 7 dance dvd
art on the side of cinema
carl nilsson-polias: eve sussman, melbourne festival
screendance: artform in transition
richard james allen: imz dancescreen & opensource
dance screen treasure chest
keith gallasch: film dance at the sydney opera house
dancing cultural time zones
keith gallasch: sue healey’s as you take your time
dancing at the interface
erin brannigan: iDN, barcelona
crossing the divide
karen pearlman: dance on camera festival, new york
seeing anew
becky edmunds: videodanza festival 2006, buenos aires
down there for thinking
chirstinn whyte: dance on screen festival, london
cutting it
renee newman-storer: wa dance film
a dance of definitions
karen pearlman: screendance, usa
monaco's unwieldy dance fest
erin brannigan
interviews
matchbox magic: dance as film
jonathan marshall: daniel belton, nz choreographer & filmmaker
making dance film: influences, cultures, bodies
erin brannigan: interview with dance film director david hinton
after glow
keith gallasch talks with chunky move's gideon obarzanek
dance film: spiritual odyssey
keith gallasch: richard james allen and karen pearlman of thursday’s fiction
music makes the moves
erin brannigan talks with sciart winner margie medlin about quartet
the fine lines of creation
erin brannigan interviews sue healey
portal
karen pearlman: dance film online: a starter survey
© Erin Brannigan; for permission to reproduce apply to [email protected]
