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YOURS FOR THE TAKING
Giveaway 10th Feb: The Family Law DVD

YOURS FOR THE TAKING
Giveaway 16th March: The Look of Silence, Joshua Oppenheimer DVD

YOURS FOR THE TAKING
Giveaway 3rd Feb: Macbeth DVD

THE LOOP
Let Them Stay

THE LOOP
Northern Lights

THE LOOP
Rights, copyright and the license to critique

SYDNEY FESTIVAL
Blurred vision
Keith Gallasch: Marrugeku, Cut The Sky

SYDNEY FESTIVAL
Maelstrom & meditation
Angus McPherson: Sydney Festival, Exit Ceremonies

SYDNEY FESTIVAL
Post-traumatic stress disorder from the inside
Keith Gallasch: The Events

SYDNEY FESTIVAL
Trim, taut, terrific
Keith Gallasch: About An Hour

SYDNEY FESTIVAL
When dance makes music
Keith Gallasch: Sydney Festival, Anne Teresa De Keersmaeker & Rosas

PuSh FESTIVAL
lingering + spatialising + listening
Alex Ferguson: PuSh Festival, Vancouver

PERTH INTERNATIONAL ARTS FESTIVAL
Paying attention to the lives of others
Nerida Dickinson

PERTH INTERNATIONAL ARTS FESTIVAL
PIAF 2016: Survival arts
Nerida Dickinson: Within, Guide Gods, Blackmarket

MOFO
More Mofo provocations
Andrew Harper: Mofo 2016

MOFO
Sympatico neuron dancing
Judith Abell: Mofo 2016 Dancenorth, Syncing Feeling

FESTIVAL OF LIVE ART
Everyday tech, intimacy & illusion
Andrew Fuhrmann: Vanitas, Are We The One?, Alter, The Naked Self, Programmed to Reproduce, Sex and Death, Erotic Dance, i might blow up someday

FESTIVAL OF LIVE ART
Old transgressions, new art & understanding
Andrew Fuhrmann: Howl, Hotel Obscura, Give Me a Reason to Live

FESTIVAL OF LIVE ART
Redefining form and experience
Urszula Dawkins

ADELAIDE FESTIVAL
A sad bunch of lonely kings
Ben Brooker: The James Plays Trilogy

ADELAIDE FESTIVAL
Exiled from our being
Ben Brooker: Socìetas Raffaello Sanzio, Go Down, Moses

20th BIENNALE OF SYDNEY
Dance & other performance art
Keith Gallasch: 20th Biennale of Sydney

A positive disturbance
Simon Hinton: Dana Waranara

Arts workers analyse the market
Victoria Carless: APAM 2016 Exchange Program

Conversation and arts politics in the arts marketplace
Keith Gallasch: interview, APAM Program Producer Dave Sleswick

Narcissism critiqued and indulged
Lauren Carroll Harris: Miranda July, Lost Child!

AUDIO REVIEW
Arcadia: two worlds, two minds
Keith Gallasch: Sydney Theatre Company, Arcadia; The Leaps, Perch

ADELAIDE FESTIVAL OF THE ARTS
Between evasion and overload
Ben Brooker: The Country; Deluge

A new landscape for new circus
Keith Gallasch: interview, Yaron Lifschitz, Landscape with Monsters

Adelaide Festival: No pastoral refuge
Ben Brooker: interview Paulo Castro, director The Country

Good works for hardworking audiences
John Bailey: POINT 8 SIX; The Village Bike

One heart beating for the many
Keith Gallasch: Romaine Moreton, One Billion Beats

Perth International Arts Festival: Modernism repackaged?
Jonathan Marshall: William Kentridge, Refuse the Hour

PIAF 2016: A personal sharing
Jonathan W. Marshall: James Berlyn, I Know You’re There

PERTH INTERNATIONAL ARTS FESTIVAL
Ambiguities of the Word and the Flood
Jonathan W Marshall

FROM EUROPE
Francophone dance, a difference
Jana Perkovic: Kevin Trappeniers, Daniel Léveillé

ADELAIDE FESTIVAL
Dances of protest
Ben Brooker: ADT, Holy Body Tattoo, Pina Bausch

“These are the dancers”
Rennie McDougall: interview, Miguel Gutierrez, New York

Bonding over bondage
Cleo Mees: Luke George & Daniel Kok, BUNNY

PIAF 2016: Contemporary techno-tragedy
Jonathan W Marshall: Aurélien Bory, Plexus

The Gods come to Earth
Philipa Rothfield: Pichet Klunchun Dance Company, Dancing with Death

REGIONAL NSW
Wired to make a difference
Ann-maree Ellis: MAMA, Murray Art Museum Albury

Perth International Arts Festival: Dark matter
Laetitia Wilson: Dani Marti, Black Sun

Road rage art
Darren Jorgensen: Rumblestrip

The intimate weave of art and life
Fremantle Arts Centre: Dani Marti, Black Sun

The joy of mesmeric disquietude
Kathryn Kelly: Clark Beaumont, Now and Then

ADELAIDE FESTIVAL
The art of sensory expansion
Chris Reid: Tectonics

ADELAIDE FESTIVAL
The ever-evolving string quartet
Chris Reid: Australian String Quartet; Zephyr Quartet

Dance, music & biomimicry
Oliver Downes: Interview: Brendan Woithe, ADT’s The Beginning of Nature, WOMADelaide 2016

MESS: not so old machines, new music
Gail Priest: interview, Robin Fox & Byron J Scullin

Music, equity & belonging
Clinton Green: Adam Simmons, 100:25:1

Obituary: Pierre Boulez, 1925-2016
Matthew Lorenzon

Sounds from the home of The Blizzard
Philip Samartzis, Australian Antarctic Division Arts Fellow

The summed hum of time and space
Gail Priest: Tim Bruniges, Drones

ON THE DOX
Oppression & the two sides of the digital coin
Dan Edwards: Jafar Panahi’s Tehran Taxi

Customer service and failed intimacy
Katerina Sakkas: Charlie Kaufman’s Anomalisa

Seeking consistency
Katerina Sakkas: Sue Brooks’ Looking For Grace

What’s missing in Carol?
Katerina Sakkas: Todd Haynes’ Carol

AUDIOVISION 21
Panoptic spreadsheets & political art
Philip Brophy, EXIT, Palais de Tokyo

A remaking of resurrected manifestos
Andrew Fuhrman: Julian Rosefeldt, Manifesto

Hyperreal Tales
Philip Channells video interview

I love hard work; I could watch it all day
Virginia Baxter: Kawita Vatanajyankur in Video oediV

Screen as time lens
Gail Priest: interview, Daniel Crooks, Phantom Ride

Video art’s mirror worlds
Keith Gallasch: Campbelltown Arts Centre’s Video oediV