• 
  RT104: Dennis del Favero, Scenario (2011)

  photo courtesy of iCinema
• 
  RT67: transmute collective, Intimate Transactions (2005)

  photo David McLeod
• 
  RT66: Mark Cypher, Biophilia (2004), interactive semi-immersive environment

  courtesy of the artist
• 
  RT70: Minim++, Tool’s Life, 2001

  courtesy the artist
• 
  RT106: Captured (cannon), Tamiko Thiel, 2011

  courtesy the artist
• 
  RT64: Gravicells obara

  courtesy the artists
• 
  RT61: Velonaki, Rye, Scheding, Williams, Fish-Bird (work in progress)

  courtesy the artists
• 
  RT46: Troy Innocent, Artefact

  courtesy the artist
• 
  RT87: Justin Clemens, Christopher Dodds, Adam Nash, Babel Swarm

  courtesy the artists
• 
  RT87: George Khut, The Heart Library Project: Biofeedback Mirror (2008)

  photo Silversalt Photography
• 
  RT58: Sterlarc, Prosthetic Head

  courtesy the artist
• 
  RT89: Fibre Reactive (2004-08), Donna Franklin, Coded Cloth

  photo Mick Bradley
• 
  RT59: Mel Donat, Memory Playback

  courtesy the artist
• 
  RT108: U-Ram Choe, Urbanus Female, 2006, installation view, Mori Art Museum, Tokyo

  courtesy the artist
• 
  RT58: Isobel Knowles, Van Sowerwine, Expecting

  courtesy the artist
• 
  RT83: Harriet Ritchie, Mortal Engine, Chunky Move

  photo Andrew Curtis
• 
  RT103: Life Support: Ventilation Dog, 2009, Revital Cohen

  courtesy the artist
• 
  RT93: Geminoid Hl-1, Hiroshi Ishiguro

  photo Alex Davies

RealTime's Media Art Archive provides access to reviews, articles and commentaries on an innovative and challenging field of practice from 1994 to the present.

Explore this unique resource covering the work of Australian and international artists via our search facility or a range of non-exclusive categories.

Introduction
I've grown accustomed to your interface
Professor Darren Tofts

"If media art was developing a public face during the 1990s, RealTime traced its physiognomy from juvenilia and youth through to maturity."
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The establishment of the RealTime Media Archive has been supported by ISEA2013 and the College of Fine Arts (COFA) University of NSW.

RealTime and Open City Inc are assisted by the Australian Government through the Australia Council, its arts funding and advisory body; the Visual Arts and Craft Strategy, an initiative of the Australian, state and territory governments, and by the NSW Government through Trade & Investment - Arts NSW.
Thanks to RealTime's principle Technology Partner Vertel.