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performance
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dance
Between the lines
Clare Dyson reads Cherry Herring’s Intimate Letters
Converging spaces and merging forms
Tony Osborne at Deckchair’s I am Nijinsky and ID339’s The Living Room
Dance actual and virtual
Eleanor Brickhill and Sue-ellen Kohler discuss Company in Space’s The Pool is Damned: Trial by Video and Garry Stewart’s Helmet
From the inside
Dancer Jane Diamond writes about the creation of a new work by Perth’s Fieldworks.
Into the unknown
Fiona McLean at Alice Cummins’ Broadcast Dancing
Material imagination
David Williams at rehearsals of Alison Halit’s To Run—Sand in Melbourne
Seen moves, silent power
Rachel Fensham ‘live’ at Company in Space’s The Pool is Damned
Six variations on a lie, Ros Crisp
Keith Gallasch
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visual arts
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sound/music
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+onscreen
film & screen culture
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+onscreen media arts
From the ashes
John McConchie celebrates new media language
John Tonkin: man or morph?
Vicki Sowry reviews Elective Physiognomies and Elastic Masculinities
Sunshine site
Mary Gilliver outlines Brisbane’s eMedia event
techné cultures
Mike Leggett scans cyber expositions east and west