realtime 55

Editorial RT 55
Federal Government vs ABC & Australia Council

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Feature: The Women's Pages
All in the timing
Virginia Baxter talks to Leisa Shelton

Feature: The Women's Pages
Deferred detonations; thrilling pessimism
Robert Cook

Feature: The Women's Pages
Evolution as showbiz
Martin Thomas

Feature: The Women's Pages
History, culture, body, stage...
Jonathan Marshall

Feature: The Women's Pages
Justine Cooper: new media alchemist
Keith Gallasch emails Justine Cooper in New York

Feature: The Women's Pages
Naive desire and coffee table fetishism
Anna Munster

Feature: The Women's Pages
Nurturing the writer, re-shaping the theatre
Virginia Baxter

Feature: The Women's Pages
Photography's phantasmagorias
Mireille Juchau

Feature: The Women's Pages
To drive the work, compel the listening
Mary Ann Hunter

Feature: The Women's Pages
Zoomorphia: deathly clamour
Jane Goodall

Feature: Australia International / Japan / Berlin
Expanding the cultural universe
Keith Gallasch

Featured Artist: Nicola Loder

Feature: Dramaturgy Now
Cutting through the fog
Keith Gallasch talks with Ben Ellis and Louise Fox

Feature: Dramaturgy Now
Dramaturgy in an age of ambient anxiety
Peter Eckersall, Melanie Beddie & Paul Monaghan

A virago took my baby!
Laura Ginters

Hip hop; the culture and the activist toolkit
Ted Nielsen

NICA's first batch
Mary Ann Robinson

Ten days of puppetry on the island
Susanne Kennedy

The art of seeing yourself
Sue Moss

The power of perilous negotiations
Mary Ann Hunter

Towers of power
Keith Gallasch

Online exclusive
In full flight
Erin Brannigan: Kay Armstrong, Rara Avis

Artful devices and the afterlife
Helen Omand: ADT, Nothing

The body: sensual, recollected and phantasmic
Jonathan Marshall: Bodyworks 03

The Fondue woman
Ghita Loebenstein: The Fondue Set, Blue Moves

An eye on mortality
Gavin Findlay

Art & the natural born archivist
Michelle Moo

Art to bump into
Bec Dean

Beauty , boards and boredom
Jena Woodburn

Narcissus
Keith Gallasch

Simon Cavanough; a precarious suspension
Keri Glastonbury

The performing gallery
Louise Martin-Chew

Feature: The Queensland Biennial Festival of Music 2003
The musical state
Keith Gallasch

Bastards do Dad proud
Keith Gallasch

Dead Man Walking
Keith Gallasch

Glass-Ginsberg Musical Lightning
Anne Kellas

Hearing is believing
Greg Hooper

How the balloon taught the piano to play
Russell Smith

Liquid Architecture; on sonic wings
RealTime

Putting multicultural arts on the map
Keith Gallasch

Sonic show and tell
Nat Bates

Totally Huge contemporary chamber music
Sarah Combes

OnScreen: Writestuff
Seeing the light
Blake Ayshford

An ark floating over the surface of history
Daniel Edwards

An independent trajectory
Hunter Cordaiy talks to Andrew Pike

Kiarostami: a visionary at the axis of action
Mike Walsh

Onscreen Editorial

Painleve's scientific surrealism
John Conomos

Queensland: award dilemmas
Danni Zuvela

Tele-scoping: Small Screen Big Picture
Mick Broderick

Cornerfold reinivigorates new writing
Simon Sellars

Revelation in the new cathedral
Kevin Murray

The meme game: Escape from Woomera
Melanie Swalwell