realtime 74

Editorial

Singapore Arts Festival
When worlds converge
Sarah Miller on visions local, regional & global in Singapore

A festival of possibilities: the faraway nearby
Kristy Edmunds unwraps MIAF 2006 for Keith Gallasch

ARTISTS [AS] EDUCATORS: VISUAL ARTS
Of pressures and privileges
Seán Kelly

ARTISTS [AS] EDUCATORS: SOUND
Oscillations: the sound artist as educator
Gail Priest

ARTISTS [AS] EDUCATORS: MUSIC
The when of composing
Rachel Campbell talks with Michael Smetanin

ARTISTS [AS] EDUCATORS: MEDIA ARTS
The university: A new home for new media
Christy Dena

ARTISTS [AS] EDUCATORS: FILM
The balancing act of teaching and making film
Tina Kaufman

ARTISTS [AS] EDUCATORS: DANCE
Dancer-teacher: The undivided self
Erin Brannigan

ARTIST [AS] EDUCATOR: THEATRE
The ambulatory artist-teacher
Mark Minchinton talks to Keith Gallasch about performance and teaching

ARTIST [AS] EDUCATOR: THEATRE
Two lives in one: theatre making & teaching
Mary Rose Cuskelly

ARTIST [AS] EDUCATOR: MUSIC
Making music: inside/outside
Michael Hannan

A walk on the wild side
Jasmin Stephens on pvi’s latest guided urban tour

Castellucci on film, in person
The film interpretation of the epic 10-city performance cycle

Everyone an artist everyday
Jonathan Marshall takes a turn at Putting on an Act

Festival in Cali: artists-run, people driven
Caitlin Newton-Broad at the Festival de Performance

Ingesting the world
Cynthia Troup sees Madrid’s Rosa Casado in performance

Made from life, sculpted from junk
John Bailey on recent Melbourne performance

Shifting perspectives
Janice Florence on art and disability at Art of Difference

Strange worlds, alarmingly familiar
Keith Gallasch on performances in Melbourne and Sydney

The sweet breath of The Black Lung
Chris Kohn sniffs out a new Melbourne performance venue

Wronged animals, bodily remains
David Williams on Adam Broinowski in performance

Dynamic dance theatre: dancing binaries
Keith Gallasch wrestles with Tanja Liedtke’s Twelfth Floor

Innocent pleasures
John Bailey is taken by Natalie Cursio’s With a Bullet

Off to the Biennale de la Danse 2006 Lyon
Force Majeure’s Kate Champion talks to the editors of RealTime

The ambiguities of being
Philipa Rothfield

The body in the world
Sue Moss at TasDance’s 25th birthday

The border artist
Douglas Leonard sees Brian Lucas’ Underbelly

Two for one
Zsuzsanna Soboslay sees David Corbet & Jacob Lehrer

Farewell Bronwyn Oliver
Virginia Baxter, Keith Gallasch

Installations: outsized and complex
Adam Jasper at Art Basel’s Art Unlimited

More than a performance
Christian Thompson on the eve of destruction

A decade of DIY
Gail Priest talks with the masterminds of DualpLOVER

A visually rich audio festival
Adam Jasper at Berlin’s Sonambiente

Mother tongue, birthday song
Keith Gallasch at Elision’s 20th birthday concert

The world recomposed
Jonathan Marshall profiles WA sound artist Rob Muir

Sydney Film Festival
Iraq's shattered dreams
Dan Edwards experiences Mohamed Al-Daradji’s Ahlaam

A dance of definitions
Karen Pearlman at Screendance in the USA

A filmmaking life
Beck Cole discusses ideas and career with Lisa Steffanof

Re-animating Australian history
Keith Gallasch admires Lee Whitmore’s The Safe House

Seeing voices
Keith Gallasch on Margot Nash’s Call Me Mum

Digital games, digital winners
Danni Zuvela looks at new media-driven awards & performances

Questions for Sri Lanka
Sam de Silva on Sri Lanka’s first digital art exhibition Questions for Sri Lanka

Showcasing First Run
Anna Arabindan-Kesson at a new home for media arts in Perth

The anxious interactive
Anneke Jaspers on the creations of Adam Constenoble

The book and beyond
Keith Gallasch enters The Kamikaze Mind