editorial
festivals
ten days on the island
iceland, taiwan, sicily, england, japan...tasmania
carl nilsson-polias: ten days on the island
2009 sydney festival
belarus free theatre: an aesthetic opposition first of all
david williams: being harold pinter and the pianist
2009 sydney festival
the gift of a smile
gail priest: the smile off your face
2009 sydney festival
the other dancing
keith gallasch: no dice, lipsynch, ivanov, the nargun and the stars
2009 sydney festival
the war within, the war without
keith gallasch: stc, the war of the roses
special features
don’t ask
john bailey: on children in performance
in the loop
realtime’s advance word on coming shows
performance
creative attack
deborah leiser-moore: new york’s witness relocation
dream logic
gail priest: sally lewry, XX
dying a death
marie-anne mancio: forced entertainment’s spectacular
learning to listen
caroline wake: utp’s stories of love & hate
reveries and dark dreams beyond categories
john bailey: perry & hamilton, the black lung, red cabbage
savage truths
martin del amo: pact’s three minute bacchae...
taking on water
adam jasper: the hard party cruise, sydney harbour
the dislocation of european desires
jonathan bollen: regina vs contemporary art at the feast festival
dance
dance massive
critical mass
virginia baxter: melbourne’s dance massive
fine tuning
doug leonard: cunningham & keane; lucas & phluxus
worlds within
philipa rothfield: shelley lasica’s vianne
visual arts
a quarter century sampler
anne finnegan: artspace 24/25
beauties beyond irony and austerity
urszula dawkins: kel glaister & arlo mountford at conical inc
fabrication & physics
jonathan marshall: video art at pica and fremantle arts centre
sound/music
cross-generational experimentation
ben byrne: interplay, melbourne
jungle sounds: raw & synthetic
lawrence english: mamori art lab, the amazon
of the moment and about time!
andrew harper: mona foma festival of music & art, hobart
the improvising animal
gail priest: the now now festival
+onscreen
film & screen culture
dance film
investing in dance screen
justine shih pearson: at empac and dance on camera, new york
dance film
making dancefilm: influences, cultures, bodies
erin brannigan: interview with dancefilm director david hinton
dance film
reframing the dance screen
chirstinn whyte: dance for camera, brighton, uk
a new cinema: immersive and interactive
wendy haslem: place-hampi, melbourne immigration museum
film by design
wendy haslem: acmi’s epic setting the scene exhibition
screen potential
ross harley: urban screens 08, federation square
surreal realities from the other side
dan edwards: shirin neshat, women without men
targeting australia
philip brophy: baz luhrmann’s australia
through the screen to palestine
megan carrigy: palestinian film festival
+onscreen media arts
creative electronic community
alistair riddell: dorkbot exhibits in canberra
intelligent fabrics, organic attire
jemima kemp: coded cloth, samstag museum, adelaide
making images with audiences
scott mcquire: rafael lozano-hemmer, adelaide film festival
media art: negotiating the future
julianne pierce: new media & moving image at liverpool’s fact
smelling the sun, breathing a river
lizzie muller: new works by joyce hinterding & david haines
the science-art of quakes
michael wall: australian dv rogers’ pieqf in california