editorial
festivals
ten days on the island
art scars
judith abell: ten days on the island: floating, evolution, s20
ten days on the island
classic transposition
bec tudor: ten days on the island: wu hsing-kuo’s king lear
ten days on the island
new asian dance: body doubles
bec tudor: ten days on the island: daniel yeung, raka maitra
ten days on the island
sound affects
bec tudor: ten days on the island: siren
ten days on the island
stirring transformations
andrew harper: ten days on the island: metamorphosis; ross bolleter
ten days on the island
unexpected art
lucy hawthorne: ten days on the island: icelandic love corporation
spill festival
culture crash: things as they are
theron schmidt, spill festival, london
spill festival
the audience made complicit
eleanor hadley kershaw: spill festival, london
jakarta biennale
art-working the city
dan mackinlay: jakarta biennale 2009—arena
special features
nsw infrastructure
a home for contemporary cultures
keith gallasch: sue hunt, ceo carriageworks
nsw infrastructure
a matter of urgency
erin brannigan: symposium, where is independent dance in sydney?
nsw infrastructure
activating art spaces
gail priest: sam chester, james winter queen street/fraserstudios
nsw infrastructure
interdisciplinary artists & publics
keith gallasch: daniel brine, artistic director, performance space
he’s watching the detectives
kirsten krauth: ross gibson’s the summer exercises
in the loop
realtime news and advance word
performance
online exclusive
contentious cut and paste
megan garrett-jones: nighttime: petty theft, performance space
a very good deal
keith gallasch: vanessa pigrum, full tilt
becalmed yearnings
indija mahoeddin: night songs and dinner in a dry dam, castlemaine festival
canonical miss-takes
john bailey: 3xsisters, a dream play, kafka’s monkey
fabulous liars
douglas leonard: restaged histories project, the greater plague
game: life and art
caroline wake: urban theatre projects, the football diaries
i don't know about acting…
jane mckernan: nature theatre of oklahoma, rambo solo, ny
identity’s black holes
tara forrest: rimini protokoll, black tie, berlin
looking for love
megan garrett-jones: brown council’s six minute soul mate
reading at a remove
keith gallasch: elevator repair service, gatz
space-maker
keith gallasch: sam james, theatre & media designer
dance
ecstasy and repulsion
sophie travers: phillip adams & balletlab’s miracle
merce cunningham: generational mix
jane mckernan: merce cunningham, nearly ninety, new york
responsive objects
philipa rothfield, the weight of the thing left its mark
the art of enquiry
maggi phillips: burrows & fargion’s trilogy; buzz’s depth charge
the dance of inner space
keith gallasch: de quincey co, ghost quarters
visual arts
a return to vulnerability
jacqueline millner: artspace: kosloff, frankovich, haseman
at the end of the day
virginia baxter: maria fernanda cardoso, r e a, narelle autio
the life of digits
darren jorgensen: tanya visosevic’s cuticle
transient works, temporary publics
anneke jaspers: one day sculpture symposium, wellington, nz
sound/music
online exclusive
sculpture as music
chris reid: ernie althoff, the middle eight, geelong gallery
composed spontaneity
greg hooper: stockhausen: a message from sirius
sounds continuous
gail priest: nat bates, liquid architecture 10
working to rule
john dale: melbourne international jazz festival
+onscreen
film & screen culture
animating dreaming into action
danni zuvela: big eye aboriginal animation from canada & australia
expanded screen writing, expansive cinema
oscar michaels: steven maras, screenwriting: history, theory & practice
jack charles, hybrid lives
lucille paterson: amiel courtin-wilson’s bastardy
pornography with difference
megan garrett-jones: perv film festival
redefining film’s cutting edge
danni zuvela: revelation perth international film festival
screendance 2.0 is with us
chirstinn whyte: moves09, manchester, uk
screening the ‘other’ deutschland
hamish ford: gdr films, 2009 festival of german films
shimmering beauty, dark vision
kirsten krauth: glendyn ivin’s last ride
+onscreen media arts
cellular intrigue
kirsty darlaston: biotech arts revisted, experimental art foundation
exhibiting the future
alexandra crosby, ars electronica center, austria
mediated: craving for expression
jacqueline millner: anne landa award exhibitions, agnsw
second life eco-management
dan mackinlay: trish adams & andrew burrell’s mellifera
the itch factor
melinda rackham: media art jury duty
threshold intimacies
mitchell whitelaw: collars; liminal transitions; canberra